九叔

　　The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
　　Part 1 comments on:
　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
　　■"Konkurs" ("Audition," 1963) by Miloš Forman
　　■"Křik" ("The Cry," 1963) by Jaromil Jireš
　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček Jan Schmidt
　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár Elmar Klos
　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
　　Part 2 comments on:
　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
　　■"Stud" ("Shame," 1967) by Ladislav Helge
　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
　　■"322" ("322," 1969) by Dušan Hanák
　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

In the spring of 1984, a strange new comic book sat beside cash registers in select shops, too big to fit in the racks, and too weird to ignore. Eastman and Laird's Teenage Mutant Ninja Turtles presented a completely original breed of super hero. It was too bizarre, too crazy. It broke all the rules and should never have worked. Until it sold out. Again and again and again. For...

　　After Porn Ends, is a documentary that not only examines the lives and careers of some of the biggest names in the history of the adult entertainment industry but what happens to them after they leave the business and try and live the "normal" lives that millions of other Americans enjoy. They hailed from the rural South, steel towns, and the San Fernando Valley. As teenagers, and young adults, none of them thought that porn was in their future. They were artists, baseball players, child prodigies, and even Ivy Leaguers. Now, after their lives in porn they're TV stars, bounty hunters, writers, and social activists. What happened in between? And now that they've moved on, can they really live a normal life after porn? Written by Bryce Wagoner

　　Lead Me Home is a short film that follows several people living on the streets in West Coast cities. Conceived to be a cinematic study of contrasts, the film will be familiar and shocking intimate and vast. By weaving individual stories with aerial vistas, time-lapse photography, and evocative details of contemporary urban life, Lead Me Home aims to spark a national conversation about the epic scale of this alarming and ever-growing problem.

詹姆斯·卡梅隆在电视评论家协会2023年冬季新闻发布会上出人意料地亮相，宣布将在National Geographic上推出两部新剧集：《蜜蜂的秘密》和《企鹅的秘密》。

　　桑德拉·李医生是一位皮肤科医生，在洛杉矶地区工作长达15年之久。她专门从事患者皮肤不同部位的各种肿块和囊肿的去除工作，并在全国享有盛誉。安吉丽娜的左胸下有一个巨大的胸部肿块，这不仅影响了她的爱情生活，还大大降低了她的自信和价值。德拉诺是一个雄心勃勃但饱受压抑的年轻人，他的背上有一个神秘的、足球大小的肿块，这影响了他找到工作的能力，导致他最近无家可归。卡拉从密西西比州远道而来，带着她充满活力的美国南方的魅力来到洛杉矶，希望能摘除自己头皮上5个又大又痛的囊肿。还有，布伦达的前额有一个四英寸长的肿块，靠近她的左眼，非常危险。为了有勇气走出家门去工作，她不得不用头发遮住脸过自己的生活。对于每一个病例，李医生都通过仔细讨论和近距离体检来诊断肿块，并检查癌症或其它疾病的危险迹象，同时努力让病人保持冷静和舒适。 只有等她制定了计划后，医生和她的医疗助理团队才能准备注射器、手术刀和防喷口罩开始准备手术。只有到那时他们才能尝试尽可能完全和安全地切除每个肿块。许多肿块很常见，也很容易诊断，但皮肤的数十亿细胞总是在产生李博士没有见过的新东西。最后，所有患者都希望李医生能安全地帮助自己恢复正常、健康的生活。

　　一位执着的母亲决心把女儿的照片从一个报复性色情网站上删除，她在网上发起一场运动，声讨该网站残酷无情的创始人

　　在智利的阿塔卡马沙漠，天文学家探寻宇宙以寻找生命的起源，不远处，当地的妇女正在沙丘中搜寻亲人的尸骸，他们是被皮诺切特独裁政权随意处置和杀害的。导演帕特里克·古兹曼将这两种关于生命的找寻并置在一起，引人深思。
　　这是一部在海拔3000米的Atacama沙漠拍摄的纪录片。天文学家聚集在那里观测群星。这个地方还因一个原因吸引了众多来访者：地表的干旱能使人类尸体完好无损。除了那些干尸和迷路的探险者的尸体，还有许多政治被关押在这片沙漠中而死去。影片强调了这样的两面性，将天文学家观测繁星寻找外星生命和那些支离破碎的家庭寻找亲人对比。所以影片的政治层面很清晰。
　　幕后制作
　　导演帕特里克·古兹曼的每一部影片都和20世纪智利国家的回忆有关：从他在1975年戛纳影展平行竞赛单元放映的《智利之战》三部曲开始，一直到在2004年非竞赛单元放映的《萨尔瓦多·阿兰德》。《故乡之光》也延续了这一主题，影片面向未来（群星），同时不忘为了赢得独立的代价和那段充满鲜血的痛苦的过去。

　　《广府春秋》第一季以山与海作为基本空间线索，以影响广府文化变化的地理空间及历史人物为逻辑推进文化事件发展，探寻广府文化的渊源肇始。本片目前已斩获2016年欧洲“中国银幕”电影节特别奖。接下来，广州将陆续投拍《广府春秋》系列，从不同视角和维度展现广府文化的博大精深，讲述精彩的广府故事，让国内外观众在审美过程中加深对广府文化的认识和理解。