好死不如赖活着

东黑冠长臂猿是全球濒危的灵长类之一，目前种群数量仅有120多只，分布在中越边境的一块狭小的喀斯特森林里。中越两国政府分别建立了东黑冠长臂猿保护区，使得东黑冠长臂猿保护区连成一片，并建立起东黑冠长臂猿跨界保护合作机制。经过十多年的联合保护，该物种种群数量稳定小幅增长。 　　中越两国共同保护东黑冠长臂猿的案例，成为国际跨境保护的典范。该纪录片首次为中外观众揭开这一物种的神秘面纱，一方面讲述东黑冠长臂猿绝境求生的动物故事，另一方面讲好与其密切相关的中越科学家、环境保护人士和护林员的人物故事。展示了东黑冠长臂猿的野性风采，展现了中越跨境联合为它们建造“生命方舟”的不懈努力。

　　追溯可口可乐和百事可乐之间的长期激烈的竞争，近百年来，可口可乐一直是全球价值数十亿美元的碳酸饮料行业无可争议的领军人物，而百事可乐紧随其后，永远拿着尖端的广告来挖苦它的老大哥...

　　In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe...
　　Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.

The National Gallery of London is one of the world's greatest art galleries. It is full of masterpieces, an endless resource of history, an endless source of stories. But whose stories are told? Which art has the most impact and on whom? The power of great art lies in its ability to communicate with anyone, no matter their art historical knowledge, their background, their beliefs. This film gives voice to those who work at the gallery - from cleaner to curator, security guard to director - who identify the one artwork that means the most to them and why. An assortment of people from all walks of life who have a strong connection to the gallery make surprising choices of both well-known and lesser-known artworks. Finally, some well-known celebrities explain what they head for when they visit the gallery. These stories are used as a lens through which to explore the 200-year history of the National Gallery and what the future may hold for this spectacular space.

　　Broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.

　　1996年的《紙人頭》哈那克又回到了《322》時記錄與虛構並置的路線。導演從大批過去未曾展示過的檔案影像之中，回憶並重溯了從二次大戰到89年絲絨革命的這段歷史，除了運用民眾在5月1日的共黨大節裡，以紙製人頭偶來揶揄政治人物的行動偶劇為創意，重新安排以紙人頭在成批的歷史影像串流中穿插出現，重構一齣政治寓言。導演並反身自涉了70年代的個人經驗回顧，企圖為這個被世界遺忘與湮滅的區域撢去塵埃。
　　影片中大批出自不同年代不知名拍攝者之手的檔案影像，包含了官方的節慶宣傳，民間的反彈行動、秘密警察大肆街頭逮捕等等，不同鏡頭的視角、時間、觀點在導演手中統籌、架構成一套哈那克的敘事言說。除了回溯近代史之外，導演在創作處理涉及的層面與手法，讓影像的鏡頭、觀點、政治意識型態的支配以及作者本身意志與自覺之間多層次辯證，又多了更往前推進一步的例子。這對當前劇情片回漲無期，而紀錄片當紅的台灣，有心思索下一步的影像創作者來說，杜桑‧哈那克應該是深具啟發性的。

本系列纪录片围绕6只野生动物宝宝，讲述了6段跌宕起伏的成长故事。为了记录它们出生后第一年的生活日常，科学家们在野外进行了长达12个月的密切追踪。一只山地小猩猩在迷宫般的森林里摸索前行；一只年幼的小象学会了分辨敌人和朋友；一窝北极狐幼崽在冬季来临前努力学习自给自足。《萌宝出生第一年》还分享了专业的野生动物知识，让观众透过镜头与新生动物萌宝来一场亲密接触。同时，我们还将看到人类活动对生态环境造成的影响，以及野生动物因此面临的生存挑战。

　　一行人在西班牙银行被困 100 多个小时。他们成功营救了里斯本，但却失去一位伙伴，前路一片晦暗。教授已被西艾拉抓获，并且竟然破天荒地没有准备逃生计划。他们以为事情不可能变得更糟了，结果又遇到前所未有的强敌：军方。有史以来最大规模的抢劫案即将变成一场混战，并迎来终局。

　　一隊探險家試圖到達一座偏遠、未經探索的火山頂部尋找答案，以解開火山噴發時間以及噴發原因的謎團。

　　The series will feature real-life crime cases and the cutting-edge forensic science used to solve them.