这是一场如史诗般的环球旅行,一场不可思议的星际碰撞,这里记录了地球数十亿年中的每一次惊心动魄的地球时刻。优酷、云集将来、国家地理联合出品纪录片《被点亮的星球》,由奥斯卡提名影片《黑天鹅》的导演达伦·阿伦诺夫斯基跨界执导完成。该片站在浩渺宇宙之上,以上帝视角审视地球上的地 质奇观与生命传奇,彻底颠覆了人类对世界原有的视觉认识,帮助新一代人类重新定义今日地球。
The Giant Oarfish, the largest bony fish in the world, was known only by rare examples that died by stranding, as well as one sole fossil. Its extraordinary dimensions, as long as 15 meters, and shape in the form of a silver ribbon, inspired the myth of the sea serpent. For the past two years, scientific buoys, immersed at a depth of two thousand meters in the Mediterranean, off the French Riviera, have attracted countless species of pelagic fish among them, the Giant Oarfish drifting vertically, alone or by pairs. With the help of the world expert in Giant Oarfish and logistic collaboration of enthusiasts, a scientific expedition reveals the biology of this enigmatic ambassador of the abyss. Entirely shot in Ultra High Definition, the film raises the veil on its paradoxical habits: why do all the adults self-mutilate and rid themselves of two-thirds of their bodies without being affected? How do they meet in the immensity of the ocean? Why does this fish not have any known predators?
水是生命之源,科学家用望远镜和探测器寻找地球之外的水源,从地球环境模拟生态演变,发现太阳系的多颗行星和卫星都有汪洋迹象,并可能有生命存活至今。我们苦苦寻找的外星生命,也许就近在身边,这结论挺叫人兴奋的。
Is your smart phone making you stupid? Can you make yourself cleverer? The Great British Intelligence Test measures the brainpower of the nation in one of the largest intelligence experiments of its kind. Devised with leading scientists at Imperial College, London, over 250,000 people around the nation have taken part so far - revealing important new science about the nation’s ...
Gripping documentary investigating the full story of Ashley Madison, the controversial dating site that marketed itself to adulterers, and which was hacked, with users' details made public
位处以色列的提比里亚以坐拥耶稣在水面上行走的加利利海而为人熟知,谁又知道她同时亦是因以巴冲突而经历动荡的城市之一?导演Lina Soualem和母亲—曾出演《继承之战》、《银翼杀手2049》等大热影视作品的知名巴勒斯坦裔演员Haim Abbass一同重返家乡提比里亚,回顾家中四位女性—Haim本人、母亲、外婆以及姨母,如何以女性独有的韧性应对离散的命运。导演透过图像诘问母亲何以当初坚决离家追寻梦想,同时寻访家族根源,重新构筑自己的身份认同,思索女性在家族文化中的位置。加沙战争爆发接近一年,导演的家庭故事作为巴勒斯坦人流离失所的历史缩影,于多个电影节备受肯定。
《海洋绿洲》以电影的精致记录壮观的自然美景及神秘无穷尽的生命,以优雅的视觉,呈现巴哈半岛与墨西哥科特斯海的美丽海底生物,还有惊人的生物与地理多样风貌。 绝妙的旅程,探索丰富的墨西哥科特斯海与原始的加州哈沙漠。令人叹为观止的视觉飨宴,融入这两个截然不同的世界。随着这个巨大的峡谷向前滑行,纵身下降到深蓝的海水之中,《海洋绿洲》带您从群集的礁石浮游生物前往浩瀚银河的鲭鱼群,一览海中的鲸、巨大笨拙的海象,还有少见的丰富彩色海洋生物。与绚烂科特斯海相接的是看似荒芜的加州巴哈沙漠,还有令人屏气凝神的白雪霭霭山峰及无边无尽的沙漠。
过去两年间,英国房价持续上涨,其影响波及方方面面,伦敦尤为明显,房价井喷带来的影响就是没有任何砍价的余地,有人初次购房,有人则从房价飘红中牟利,可购房源也越来越让人哭笑不得,居家成本也迫使人们搬离其居住一生的家,与此同时,也有新卖家搬入,随着压力渐长,邻里隔段时间就会换一轮,这意味着对一些人来说居住和工作地点得按需迁徙,如今,英国各地房价都在上涨,其中有人笑也有人哭!
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
在智利的阿塔卡马沙漠,天文学家探寻宇宙以寻找生命的起源,不远处,当地的妇女正在沙丘中搜寻亲人的尸骸,他们是被皮诺切特独裁政权随意处置和杀害的。导演帕特里克·古兹曼将这两种关于生命的找寻并置在一起,引人深思。 这是一部在海拔3000米的Atacama沙漠拍摄的纪录片。天文学家聚集在那里观测群星。这个地方还因一个原因吸引了众多来访者:地表的干旱能使人类尸体完好无损。除了那些干尸和迷路的探险者的尸体,还有许多政治被关押在这片沙漠中而死去。影片强调了这样的两面性,将天文学家观测繁星寻找外星生命和那些支离破碎的家庭寻找亲人对比。所以影片的政治层面很清晰。 幕后制作 导演帕特里克·古兹曼的每一部影片都和20世纪智利国家的回忆有关:从他在1975年戛纳影展平行竞赛单元放映的《智利之战》三部曲开始,一直到在2004年非竞赛单元放映的《萨尔瓦多·阿兰德》。《故乡之光》也延续了这一主题,影片面向未来(群星),同时不忘为了赢得独立的代价和那段充满鲜血的痛苦的过去。