龙出海

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　本片是根据畅销漫画改编剧《花样少年少女》大受好评之后推出单集SP，还特别收录樱咲学园的毕业典礼。
　　优秀跳高选手佐野泉（小栗旬 饰）为救被不良份子掳走（堀北真希 饰）割伤了韧带，自此不再跳高。为了补偿自己令泉不再跳高，为了想更了解泉和帮助泉再次跳高，瑞稀女扮男装转校到泉就读的日本樱咲私立高校。就此展开了一段啼笑皆非的校园趣事。SP的故事从瑞稀进入学园半年后开始。当时整个学园都沉浸在情人节的欢乐气氛中，泉（小栗旬 饰）和秀一（生田斗真 饰）开始回忆暑假最后一个星期发生的事情。就是TV版中没有提到的，第七集夏季合宿和第八集第二学期开始之间发生的故事。

　　正当网络开始风行的大学校园里，外型并不出众的痞子蔡（陈小春饰）对感情认真保守，但他在网络上又表现出热情自信的另一面，能言善道。好友阿泰（张震饰）在不断追逐异性中获得乐趣，颇有心得。
　　后来痞子蔡在网上邂逅了代号为“轻舞飞扬”的女孩（马千珊饰），之前他从不敢奢望真爱会降临在自己身上。及时行乐的阿泰提醒他网络是虛幻的，劝他不要动情。身陷矛盾的痞子蔡还是选择了与“轻舞飞扬”相见，彼此倍感知心，然而世事难料……

元朗CID脂粉刘及串烧伦被派往调查两名基佬被杀案，为搜寻有关线索，被迫扮成基佬，入住基佬大厦，往基佬吧流连。脂粉刘巧遇少女波波，约她返家晚饭之际，波波被Billy拉着离开，被脂粉刘所阻。却原来波波一直被迫为毒贩做事，藉带团赴泰国，利用团友携带回之木雕暗藏白粉，被杀的基佬亦因此事受害，波波正被迫追寻另一失落的木雕。波波被误为吃里扒外，被Billy挟持，刘与伦亦被捉，始知基佬被杀案为毒贩所为。三人摆脱捆绑，并勇擒匪徒，破毁毒巢。

香港当红舞男Jackie（张学友 饰）与扫黄组组长David（林俊贤 饰）结怨很深。David多次派人扫Jackie的场子都遭失败，怀恨在心。扫黄组新调来的小珍（张曼玉 饰）能力超群，将鸭店一网打尽，连Jackie的店也难以幸免。Jackie为了替兄弟们出口气，决定扮作患有绝症的画家去接近小珍，找机会报复，谁料……

　　唯良和丈夫伟业结婚已经九年了，两人共同抚养着两个可爱的孩子，婚姻生活虽然平淡但是不失幸福。一天，唯良的儿时玩伴安萍忽然找到了唯良，两人已经很久都没有联系了，这次，安萍带来了一个坏消息，那就是唯良的丈夫伟业有了婚外情，而婚外情的对象不是别人，正是安萍的妹妹安玲。
　　唯良找到了安玲，想要劝说后者离开自己的丈夫，可是性子倔强的安玲非但没有意识到自己的错误，还咬定了不会放手。伤心的唯良决定在丈夫的身上下功夫，但很快她就意识到，伟业是真的不再爱自己了。这么长时间来，丈夫和孩子构成了唯良生活的全部，一下子，她失去了人生的意义。

　　迷你剧/电视电影《遗忘》由李晓苹编剧、连奕琦执导，是专门为台湾金钟奖而制作的。
　　该剧是林心如工作室投资的第一部电视电影类的作品。新加坡男演员李铭顺担任男主角，这是他第一次来台湾拍戏，也是与林心如的首次合作。
　　何薇安（林心如 饰）和罗品中（李铭顺 饰）因为生活观念的不同，面临离婚的地步，已经开始分居的生活。但是一场突如其来的车祸，让一段岌岌可危的破碎婚姻，有了重新开始的契机。在妻子因此何薇安受伤失忆后，分居的夫妻两人，竟开始发觉彼此心中最真、最初的情感。他们婚姻的命运，因这场意外而改变，他们是会牵手过一生？或是放开彼此的手呢？

　　东明高中的黑泽大和（福士苍汰 饰）是所有女孩崇拜追逐的对象，而他在一次意外遭遇后，偏偏对几乎没有人注意的女孩橘梅（川口春奈 饰）产生了兴趣。他自顾自将电话号码留给对方，偏巧小梅某晚被人跟踪，不得已打电话给黑泽，赶来解围的黑泽借机夺去了女孩的初吻。当年因某起事件，小梅封锁了自己的内心，可是阳光开朗的黑泽却蛮横地开启了她的心扉。随着交往时间的延长，他们对彼此的了解也越来越深。曾经单调的校园生活变得多姿多彩，当然悲伤和苦涩则成为恋爱之路上不可或缺的调味剂……
　　本片根据漫画家葉月かなえ的同名原作改编。

三十年老字号餐馆食记面临经营危机，少东家叶凛在父亲重病的巨大打击下被迫成长起来，重振食记，也收获了一段刻骨铭心的爱情。