露丝·斯雷特（布洛克饰）因暴力犯罪被判入狱，出狱后的她重新踏入社会，但自己的过去却不被原谅。面对来自她曾经称之为“家”的地方的无情评判，她获得救赎的唯一希望，就是找到当初被自己无奈丢下而疏远了的妹妹。
这一日，某服装企业OL遭人杀害，此人生前奢侈挥霍以致债台高筑，在她的遗物中则发现京洛大学准教授滨口一郎（谷原章介 饰）的照片及相关研究资料。是否OL因涉嫌勒索而被杀害？由此滨口成为了警方重要的参考嫌疑人。与此同时，美国副总统的女儿凯瑟琳·透纳（夏洛特·凯特·福克斯 饰）千里迢迢来到日本，她逃避了父亲安排的政治婚姻，一心和恋人滨口一郎结为夫妇。当凯瑟琳知晓滨口的学生田中良美（黑川智花 饰）也正为情所困时，当下决定帮助这个女孩。可是没过多久，良美即遭人绑架，对方更勒索五千万日元的赎金。 危急关头，聪慧的凯瑟琳要想方设法救出女孩……
本片由五个发生在同一时间，不同国家地区的小故事组成，每个故事都描述了的士司机与乘客的一次短暂遭遇。 洛杉矶晚上7:07，假小子司机柯基（薇诺娜·瑞德 Winona Ryder 饰）载着她的客人维多利亚（吉娜·罗兰兹 Gena Rowlands 饰）回酒店，恰巧负责电影选角的维多利亚看中了柯基，然而柯基却告诉她自己想成为一名机械师…… 纽约晚上10:07，黑人青年尤尤终于拦到了一辆的士，却发现司机是一名根本不会开车且语言不通的外国老人赫尔穆特（阿明·缪勒-斯塔尔 Armin Mueller-Stahl 饰），尤尤只好主动提出由他来开车…… 巴黎凌晨4:07，年轻的黑人司机把两名出言侮辱他的非洲乘客撵下车后，上来了一位美貌的盲女（碧翠斯·黛尔 Béatrice Dalle 饰），他立即对她产生了好奇与怜悯，却发现她比自己更能在这世界上辨明方向。 …… 本...
Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category Special Jury Award at the Lubuskie Film Summer in Lagow 1973 - Special Award for Screenplay at the San Remo Film Festival.
1939年的西盘半岛战役是二战初期波兰抗击纳粹德国的象征性一役，不到200名波兰士兵，阻击了将近2000德军整整七天。这部史诗巨作展现了波兰军队浴血奋战的恢宏场面，连场惊心动魄的战斗，具有超震撼的视听冲击力。而硝烟背后，波兰守军司令官苏夏尔斯基与政治员达布罗斯基之间的合作与矛盾，展示出演员飙戏的深厚功力，令人大呼过瘾，主演米乔·赞布罗斯基曾三度提名波兰“奥斯卡”最佳男演员，在片中演技炉火纯青。
Zahid, "an American born Muslim who, after struggling with his Islamic roots, explores different aspects of the religion, leading to a deadly calling."
