八佰

简介：第二次世界大战期间，中国河北挂甲台村的农民马大三（姜文饰）在日本人的统治下过着平静的生活。一个晚上，游击队绑架了日军陆军士兵花屋小三郎（香川照之饰）和翻译董汉臣，把他们捆绑塞入麻袋放在马大三家里，并吩咐马好好看管，几天后的大年三十来带人。马大三和村民战战兢兢地看守两人，花屋小三郎和董汉臣数次发出求救信号，皆被村民化解。半年过去了，村民们担心事情暴露，却又不敢把花屋等放了。　　马大三最终被董汉臣说动，把花屋和董送到了日军宪兵队驻地，以换取粮食。日军宪兵军官酒冢猪吉是花屋的同乡。他表面上对马等人客气，但背后指责花屋让皇军蒙耻并殴打了他。宪兵队整队去马的村子里和村民联欢送粮，酒到酣时却乍露杀机。

简介：

嬌(李麗麗飾)帶兒子叻(陳國邦飾)改嫁，叻與阿叔(林聰飾)及同母異父的妹妹同住，阿叔責罵叻不要交壞朋友，要努力讀書，像妹妹般品學兼優。叻非常疼愛妹妹，但與母關係惡劣。 　　嬌回家總是大吵大鬧，總是令全家不高興。叻在便利店工作幫補生計，與甜成為同事。叻揭穿幾個飛仔入店內偷東西，被大佬明看中，歡迎他加入，叻不加理會。 　　叻發現阿叔吸毒，痛罵他未能以身作則，叻離家投到明哥處。阿叔亦後悔不已。嬌嗜賭欠下巨債未能償還，兩大漢跟著回家，要她肉償，嬌在掙扎時被叻誤會母與男人偷情，感到非常憤怒及羞恥。 　　叻醉酒鬧事而得罪另一幫人，得大佬明拔刀相助。明要求叻為他帶白粉，叻欠下人情，只好答允。 　　阿叔見叻鬼祟走入後巷，他是過來人，即上前阻止，剛好警察巡查，他倆即逃走，阿叔拿了叻身上毒品，命他躲藏起來，警察趕至拘捕阿叔。 　　叻回家見大火，妹妹救出已死，叻非常傷痛。叻到監獄探阿叔，多謝...

简介：1981年，9岁的凯特生活在爱尔兰乡下的一个大家庭里，由于兄弟姐妹太多，她在家中一直被忽视。因为母亲马上又要生产了，凯特被临时送到远房亲戚的家里去过一个夏天。凯特意外地适应这个环境，在这里，温柔的夫妻俩让凯特学会了与自然相处，也学会了与安静的自己和解。然而，在这个安静的家庭里，还有一个悲伤的秘密。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

廖碧婷（恬妞 饰）和杨佳琳（沈雁 饰）是一所 女子中学的高二学生，品学兼优，两人平时很亲近，一起上学一起回家，因而引起同学们纷纷嫉妒，尤其是班上的另一个同学林春雪，她也是班上的佼佼者，很想和她们做朋友，却被智婷所拒绝，所以恼羞成怒，便在班上传递字条，指碧婷和佳琳两人在搞 同性恋。 　　这个传言终于闹到班导师梅亦新（秦汉 饰）耳里，新来的女老师杨秀玲（周丹薇 饰）正好是佳琳的姐姐和她们的国文教师。她得知此事后，便和梅亦新合力研究调查，观察谣言的真实性，不料两人竟因此增进了彼此间的感情……

简介：故事发生在云南西双版纳一个美丽的傣寨。小姑娘依欢（林甜 饰）和阿妈（黄志玲 饰）、外公（杨宝河 饰）焦急的等待着三年前外出挣钱的阿爸（毕远晋 饰）和哥哥艾拉（李艳波 饰），因为十四岁的哥哥到了出家当和尚的日子，这是傣家男孩子成长为男子汉不可或缺的经历。艾拉回来后，带着妹妹亲手捏的小白象，献给了庙里的菩萨。在一次无意间巡山中，兄妹俩救起一头受伤的小白象，他们对它呵护有加，并给小象起名西娜。村长（林昌文 饰）带人在寨子里搭起象房，从此西娜有了自己的家。阿爸赌钱亏了本，赌场老板让他把西娜偷出来卖掉，利欲熏心的阿爸不听妈妈和外公的规劝，给儿子用了催眠药，把西娜偷走了。艾拉和妹妹踏上了寻象之路......

简介：《醉公主》讲的是一个美丽的神话故事。三江海龙王的宝贝女儿醉公主长得娇媚动人，自幼酷爱饮酒。一天，丑陋的卧江太子突然登门求婚，醉公主不从，遂与卧江太子发生冲突，龙王大怒，无奈醉公主带着侍女红鲤化作人形逃婚来到凡间。但在紧要关头，众乡邻齐心协力解救了被神索困住的醉公主。众人略施小计，使固执的龙王不得不承认了他们的婚事。 醉公主与王善酿因酒结缘，天下一对有情人终成眷属。

简介：钟爱芳在第一日值勤便意外救了正被杀手追杀的警方重要证人肥威，而肥威答应警方出庭作证的要求竟是要保护他女儿君君参选大中华“青春小姐”。于是，刚刚加入警队的钟爱芳便要化身“海外佳丽”参选大中华“青春小姐”。爱女心切的父亲钟Sir为了爱女的安全，运用权力让两位警队精英周子丹和剑雄帮忙卧底保护爱芳，而他自己竟也伪装成摄影师保护女儿。在比赛的过程中，爱芳要在天哥派来的三大杀手的阻击下保护君君，又要不能暴露身份继续比赛。其间，爱芳有惊无险地保护君君逃过伪装成“海外佳丽”的杀手阿凤的暗杀，而自己竟阴差阳错成为赛事大热门。临近决赛，却有意外发生，君君中计对杀手阿虎产生好感，竟要与他共进晚餐结果被下药迷倒，而钟Sir也在跟踪二人的途中失手被擒。一个个难题摆在爱芳面前。

简介：邵文是个从农村走出的大学生，大学毕业后留在城市当了公务员。　　但城市的生活勾心斗角让他非常不适应。三十六七岁还没有结婚。　　城市里工作的繁忙和高节奏的生活步伐，使邵文很少回乡下去，一个偶然的机会，他所在的单位要派干部到乡下科技致富去，而扶助点就是平度市苹果乡的村子。　　这是一个风景如画，山水环绕的美丽山村，把扶助当成镀金的公务员谁都争抢着去，领导最终确定让邵文回去。　　邵文的心情很复杂，但领导的态度很坚决，他非去不可。　　邵文来到村子的时候正值苹果丰收的季节，秋天的村庄一派硕果累累的喜收景象。　　哑女阿甜，是苹果村很出名的美女，因为无法说话的缘故，根本不能上学读书，只能通过手语交流，这么多年来带着孩子只和一个老爹过日子。　　阿甜美丽，更有着一刻美丽的心灵。　　邵文回到村子受到了父亲的责骂，父亲骂白培养了他，白上了大学，要回乡下当年费心巴力考什么大学进什么城市。　　村民对邵文的回村也表示了怀疑。各种说法都有，有人说邵文回村是镀金的，有人说他是来混几个月回城提拔职务的。　　小山村惟一让他值得留恋的是他的童年——那个已经成为人妇的女孩。　　邵文去苹果村的山路上遇到了背着孩子去集市卖苹果的阿甜。　　村里惟一的经济来源就是苹果。　　苹果丰收让村民感到很为难。　　因为丰收意味着烂市，意味着赔钱。　　很多村民的苹果在集市上卖不出去烂在了果园里。邵文想从苹果着手帮助村民。他想创一个品牌，装上盒子送进城里的超市。可是注册品牌需要钱，上包装需要钱，村民没有钱，有人还传说邵文要拿村民的苹果自己赚钱。

简介：天真无邪的托马斯(厄内斯特·汉纳瓦德饰)是典狱长的儿子，与他父亲管辖下的一名犯人马丁(约尔根·普罗赫诺饰)秘密相恋。马丁出狱后，他们俩想从此长相厮守，可惜天不遂人愿。托马斯的父亲把他送到了少年改造所，令人惊讶的是，马丁居然来到这里，还伪装成了学校新聘的老师……

简介：穿行于人妖两界的阴阳师晴明（陈坤 饰），因与一众妖怪缔结契约，酿成大祸，深陷危机。而与此同时，妖皇势力正卷土重来，一场恶战一触即发。在风云突变、局势动荡的危急时刻，晴明恍然发现，自己人妖混血的身份，竟是这一切灾祸的关键......

简介：

Hamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.