夜莺2018

简介：

在南京开小书店的王平（吴伟 饰）背着妻子林雪（江佳奇 饰）与男同性恋者江诚（秦昊 饰）有染。对丈夫行为生疑的林雪委托罗海涛（陈思诚 饰）跟踪王平，发现了江诚的行踪。气愤的林雪到江诚任职的旅游公司大闹，迫使其与王平分手。罗海涛有一个在制衣厂做工的女友李静（谭卓 饰），但他 却在跟踪的过程中对江诚产生了好感。罗海涛与分手后情绪低落的江诚交往，二人关系日渐亲密，但与此同时他又难舍李静。在三人共同出游的过程中，李静发现了罗海涛与江诚的暧昧关系，伤心落泪。一座城，许多人，都在感情的路上崎岖前行。 　　本片被提名2009年第62届戛纳电影节金棕榈奖，并获最佳编剧奖。

简介：

维吉妮雅是小红帽的后代，他们的家族企业主要在猎捕狼人。未婚夫对于她的职业感到万分可疑，直到有天连他也被狼人咬伤，眼看就要加入狼人一族了……

简介：暂无简介

简介：A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niewöhner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....

简介：

一个头脑疯狂的的社交媒体超级粉丝 陷害她最好的朋友为凶手

简介：

罗曼回到了那块邻近乌克兰边境的土地---这块地是他刚从祖父那里继承来的。他决定卖掉这个寸草不生的地产，但被一帮当地黑社会的人所警告，因为他的祖父曾是这帮人的首领。他们绝不会就此放弃这片土地---以及他们的走私产业---更不会束手就擒。

简介：

　　19岁的幼儿园老师小笠原涉木（药师丸博子 饰）爱慕上学生的父亲御前崎渡（财津和夫 饰），夏日时分，涉木受御前崎邀请前往大阪辅导其孩子的功课。即将出发之时，涉木在海边巧遇四处旅行修炼、立志成为伟大魔术师的青年大东道健（野村宏伸 饰）。他们的旅行各有得失，涉木遭到御前崎妻子的嫉妒，无奈离开大阪，回到故乡冲绳；大东岛则迷上爵士女歌手伊势（桃井薰 饰），而伊势却和御前崎相恋，始终拒绝大东岛的追求。
　　在这个炎热的夏天，四个人各自寻找着感情的归宿……

简介：

A tender, melancholic night is experienced through the eyes of three women as they struggle to find themselves in this ever-changing jungle of Jakarta.

简介：传奇演员理查德·伯顿的传记片，聚焦本名Richard Jenkins的他从威尔士小镇走出，家庭、战争、野心……人生际遇激励他走上了演戏的舞台，又影响了他跌宕起伏的一生。

简介：年轻钢琴家艾玛(莫利·库斯 饰)在祖父过世后回到祖父的小屋，意外和幼狮、小灰狼成为好朋友。想不到这件事被发现后，狮子和灰狼被送到马戏团和科学家那做研究。他们该怎么回到彼此身边？

简介：讲述了一个在灾难面前，众人呵护即将参加高考的山村女孩的故事。山西边远的一个小山村巫家坝，突然发生了山体滑坡灾害造成了十几户人家的伤亡。正在县里高中住校准备高考的林荒萍的家也遭了灾，她母亲被村民和军队从泥石流中救出时，恳求村主任巫永达，不能让林荒萍知道家里的不幸。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.