车逝

简介：

During a hot summer in Quebec’s countryside, a recently settled couple struggles. Marie (35), a sound artist in lack of inspiration doubts her relationship with her partner. The arrival of Noée (25), a young French traveler who mourns her father, will destabilise the status quo and trouble their neighbour Yan (30), a solitary farmer, by awakening new desires. In Montreal, Eva (15), a teenage Filipina who recently moved to Canada, tries to find new roots in the city. Since her arrival, she suffers from insomnia, often interrupted by strange dreams of her hometown in the Philippines. Jeanne (25) is having trouble finishing her thesis on the work of Marie, the artist in the countryside. As Eva tries to anchor herself, Jeanne plans to leave everything. The Splendour of Life is a sensual film that explores how we relate to each other in a changing world that transcends us - an invitation to live to the fullest.

简介：

杨大郎为了查清亲如手足的兄弟罗华的冤屈，不惜冒名顶替他孤身进入沙门寨，不但破获了秘密制造武器的地下窝点，更最终粉碎了泗水郡王及其兄弟造反的阴谋。

简介：《海鹰战警》以“中国维护司法人权的典型案例”——广西政法干警破获的国际海盗劫持船只案为故事原型。剧情既有新时期政法干警勇斗邪恶的惊险场面，也交织着政法干警作为一个普通人的爱恨情仇。该片由自治区党委政法委监制，法治快报社和广西华影联文化传媒有限公司联合摄制和出品，是中国首部打击海盗的影片。

简介：

本片讲述一个男孩从6岁到18岁的成长历程，导演理查德·林克莱特花了12年时间来完成这部作品。它仔细描画了孩子的成长过程，及其父母亲各个方面的变化，可以让观众细致入微地体会岁月流逝的痕迹。为了不打扰主演艾拉·萨尔蒙的正常生活，拍摄均在他暑假期间的简短时间内完成。

简介：儒生张于旦（黄国强 饰）偶遇狩猎的邑宰鲁公之女鲁飞飞（赵雪芹 饰），心生爱慕，不料鲁飞飞因杀生过多暴毙而亡。鲁公将女儿葬在张于旦寄读的萧寺内。是夜，张于旦在灵堂上香以表哀思，不一会儿席地睡去。夜深人静之时，一声声凄厉的惨叫从灵柩中传出，惊醒了沉睡中的张于旦。女道士进来告诉张于旦，如能为飞飞的鬼魂诵经万遍，方解飞飞在阴间刑罚，于旦闻言每日诵经不断。日复一日，飞飞终于显形于灵前，俩人诉说相思之苦。几年后，一个月黑风高之夜，黑白无常不期而至，拉走了沉醉在幸福中的飞飞，于旦如万箭穿心却无可奈何。土地爷（刘金山 饰）告诉于旦，是阎王爷让飞飞转世投胎去了，于旦闻听大喜......　　本片改编自《聊斋志异》中《鲁公女》章节。

简介：

该片讲述了一个具有神力的疯狂保姆来到一个平凡家庭中发生的趣事。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

故事讲述的是，阿森三年前为救黑帮首领被仇人所害被捕入狱出狱后森单人匹马复仇后潜逃到台湾居住投靠昔日曾受自己恩惠李驹森决定隐性埋名洗手不干但李驹好勇斗狠屡生事端后找来新人乌鸦顶罪乌鸦终日无所事事常梦想成为黑帮首领因替驹顶罪而被赏识乌鸦声名日大驹渐起嫉妒之心安排到香港暗杀要人驹。 　　莫少聪……饰演 乌鸦/杨天顺（在台北卖槟榔为生，一心想投身黑帮上位，却连累女友和姐姐被杀） 　　苗侨伟……饰演 李森（出狱后杀死仇家逃亡台湾，却被昔日兄弟出卖，心灰意冷下决心退出黑帮） 　　何家驹……饰演 李驹（黑帮大佬，为人心狠手辣，兄弟一样出卖，后被乌鸦杀死） 　　唐丽球……饰演 吴天真（乌鸦英雄救美后成为他女友，后遭李驹强暴后自杀） 　　金素梅……饰演 杨丽玲（乌鸦姐姐，与隐居在台南的李森发生感情，后到台看望乌鸦时被杀） 　　张永正……饰演 小山东（乌鸦好友，因贪污李驹的钱连累乌鸦自断手指相...

简介：

乔治（哈里·海登 Harry Hayden 饰）经营着一家小餐馆，一天，餐馆里来了两名不速之客，他们是杀手，来寻找每天都在此吃完饭的皮特（Michael Hale 饰）。巧合的是，偏偏今天皮特没有来参观，在杀手离开后，乔治连忙打电话给皮特通风报信，然而最终，皮特还是死于非命。 　　皮特生前买过一份保险，受益人是一个名叫奎尼的女人。奎尼是餐馆的服务生，曾经在皮特陷入抑郁想要自杀之际救过他一命。紧接着，皮特曾经的好友塞姆（比尔·沃克 Bill Walker 饰）浮出了水面，他如今迎娶了皮特的初恋女友劳拉。塞姆告诉调查人员，皮特是一名退役拳击手，退役后加入了黑帮干一些违法乱纪的事情，而他所遭遇的一切不幸，都和一个名叫凯蒂（艾娃·加德纳 Ava Gardner 饰）的女人有着脱不清的干系。

简介：根据水门事件揭发人Carl Bernstein和Bob Woodward所写自传改编的电影。二人是《华盛顿邮报》的记者，在水门事件里，他们历尽艰辛揭开政治黑幕，人物和事件一同成为美国一段家喻户晓的历史。故事由五名盗贼开始，他们潜入水门大度行窃。本来是一桩不甚重大的刑事案件，却在Bernstein（达斯汀·霍夫曼Dustin Hoffman 饰）和Woodward（罗伯特·雷德福Robert Redford  饰）的追查下，最终撕开了一条大裂缝，矛头直指总统尼克松。从1972年到1974年，从尼克松竞选总统到尼克松连任上台，华盛顿邮报受到的压力越来越大，甚至被威胁。主编本·布莱德利站在了新闻自由和相信自己记者的这边，Bernstein和Woodward得以继续追寻事件真相，得到了重要线人“深喉”的帮助，经历了难以想象的曲折艰辛后，水门事件最终导致尼克松总统下台。

简介：

本片讲述在1868年航运界传言南海中有海怪破坏船只，各国政府被迫派遣军舰维护航道安全，及调查海怪真伪。不料调查舰被不明怪物撞沉，只有阿洛亚斯教授、助手康索及鱼叉手尼德蓝被鹦鹉螺核子潜艇救起。该船由尼莫舰长指挥，对运载军火船舰均予击沉。尼莫敬重阿洛亚斯之成就，将其视为上宾。潜艇要返回瓦康尼亚基地，中途到深海探索海底世界，此处是该船粮食之主要来源。教授为其科技动力来自海底貂殖的技术惊叹不已，但尼德蓝一心想逃跑，却在荒岛中被食人族逐出。他又查出基地位置，用瓶子装信向外通知。到达瓦康尼岛时，军舰已围住该基地。尼莫破坏基地，引起核子爆炸，尼莫亦中弹命危，临死前将鹦鹉螺号驶入海底坟场加以破坏。

简介：

丈夫何山凭空消失了十年后，苔花（蒋勤勤 饰）正要迈进新生，但命运却把她推向了另一重绝境——她前脚被情人（陈建斌 饰）母亲从采茶园赶走，后脚就被最亲近的好姐妹金兰骗进了传销组织“蝴蝶国际”。母亲沉迷其中，让一边寻父一边救母的儿子目莲（吴磊 饰）身心疲惫，而蝴蝶国际却如藤蔓疯长一般，将恶魔的种子根植在无数百姓心中。苔花也摇身一变，从衣着打扮到言行举止都宛如“新生”，疯癫的举动让目莲感到诧异。母亲如蝴蝶一般翩翩于梦中之际，儿子想尽一切办法奋力解救……这座人间炼狱究竟该怎样逃脱？现代版“目连救母”能否成功？