119婚约

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

小说家李唐（张本煜饰）接到昔日恋人高丽（王佳佳饰）的电话，被告知她要来他所在的城市出差三天。重逢的三天，他们一起回到了过去，体验了当下，演绎了未来。即将告别时，高丽带着李唐来到玄武湖，讲述起一件往事，李唐对此错愕无言，恍然间不知当下为何时…

一名国际刑警得知她一直追踪的艺术品盗贼正是前男友，于是设计要将其当场抓获。

青春期，酸甜苦辣，或许各位也曾在青春期做过了一些错事。故事中，大鸡 (骆力炜饰) 是长洲的无业青年，偏偏其弟细鸡是成绩杰出的好学生，令大鸡被祖母瞧不起。他爱发梦，经常和同样游手好闲的老友阿龙 (张豪龙饰)、MAY MAY(吴日言饰)、SUKI (Race)、大旧 (黄浩然)等在街头闲荡，成为街坊的话柄。祖母 (罗兰饰)想教训大鸡，却不慎自己跌倒，反冤枉大鸡伤害她，大鸡被逼在一班好友协助下“着草”到深圳，展开了一场人生的大事件…… 　　在长洲住着五个土生土长的年青人，Suki、MayMay、大旧、阿龙及大鸡，五人性格不同，但却有一个共通点…他们都活在一个给人看扁的宿命里，Suki父亲是黑社会中人，MayMay父亲行贿坐牢，大旧的母亲曾经是妓女，阿龙是个读书不成的双失青年，而大鸡则是父母在十三、四岁时偷吃禁果而诞下的陀衰家。 　　五个年青人在这彷徨迷失的青春期，...

青春靓丽的空姐阿南Jeannie和留英归来的银行精英西蒙Simon相识一年，为了有地方亲热选择步入婚姻的殿堂，但考验才刚刚开始，婚后价值观冲突不断，曾经最亲密的爱人却渐行渐远，结婚、离婚、再相见……十年错爱，退则全军覆没，留就死伤无数，他们该如何抉择？

　　故事开始于1949年的波兰，第二次世界大战刚刚结束，资本主义和社会主义的对立抵达了白热化的状态。维克多（托马斯·科特 Tomasz Kot 饰）是一名音乐家，他正在筹建一个青少年民族音乐演出团，靠演出传统波兰歌舞来输出国家的文化，制作人伊雷娜（阿伽塔·库雷斯扎 Agata Kulesza 饰）和监督官员卡奇马雷克（波利斯·席克 Borys Szyc 饰）也参与进了这一计划中。
　　一个名为祖拉（乔安娜·库里格 Joanna Kulig 饰）的女孩吸引了维克多的注意，虽然卡奇马雷克并不认为这个身世复杂的女孩是参加演出团的合适人选，但维克多还是义无反顾的认定了她。随着时间的推移，两个人坠入了情网之中。

凌瑄儿（张佳琳 饰）和赵源（纪木川 饰）是一对交往没多久的情侣，两人之间的感情还处于热恋期，每天都难舍难分。在赵源的建议下，凌瑄儿决定和男友同居，虽然对于这种共同的生活，凌瑄儿的内心里始终怀揣着不安，但是只要赵源开心，无论什么事情她都愿意做。 　　就这样，这对情侣开始了住在同一屋檐下朝夕相处的生活，随着时间的推移，刚开始的浓情蜜意逐渐变成了频繁的争吵和冷战，最终，两人决定分手。然而，虽然感情破裂了，但是房租已经付出去，也拿不回来了，于是，两人决定还是暂时住在一起，但是是以同居室友的身份。

1983年夏日，17岁的林克铭（石知田 饰）和王蕾（程予希 饰）因为一场英文演讲比赛结识，懵懂的情感就此发芽。然而一次年少轻狂的意外，硬生生地将两人分离，也浇灭了初恋热血的悸动，甚至没有来得及告别，还没有开始就要说再见的初恋，就在这首Bee Gees的《First of May》中结束。 　　20多年后，45岁的王蕾（贾静雯 饰）的女儿，同样17岁的白白（程予希 饰）令他们的人生再度交错，45岁的林克铭（任贤齐 饰）收到网上传来的一封信，一封似是迟来的、王蕾的信，让他再度忆起，那份纯情的年少时光、那段属于十七岁的狂妄，还有那份寂寞的遗憾。似乎冥冥之中注定了这个特殊的年纪将会有特殊的意义，17岁的白白，也陷入了一场情感的困惑，面对心仪的男生和最好的姐妹，她不知道该如何选择.....

辛唐（孙晨竣 饰）拥有能够通过声音控制他人情绪的超能力，为了能够在这个世界上平凡的生活下去，辛唐小心谨慎的守护着自己的这个秘密。一次偶然中，辛唐邂逅了名为吉择（章若楠 饰）的女孩，并且在阴差阳错之下救下了准备自杀的吉择，就这样，两人的命运被紧紧的绑定在了一起。 　　吉择虽然表面看来是在网络上拥有众多粉丝的女网红，但实际上，她患有非常严重的抑郁症，每天都在绝望和痛苦的深渊里挣扎，为了帮助吉择，辛唐不离不弃的守护在他的身边，用自己的声音来治疗她伤痕累累的内心，随着时间的推移，他慢慢的爱上了这个脆弱的女孩。

心灵封闭已久的中年教师戈列格里斯，无意间在书店发现葡萄牙作家普拉多的 随笔《文字炼金师》，被书中充满哲思的文字吸引，毅然抛下井然有序的生活，展开探索心灵、寻找生命终极答案的旅程……在里斯本，戈列格里斯探访普拉多的生平，一步步重建这位非凡医生、天才作家的影像，揭开葡萄牙独裁政权时期的一段隐秘的黑暗。在一步步走近了解普拉多的同时，格列格里斯也检视自己，重新找回生活的节奏和意义。