心灵召唤
3.0 |04月09日 |正片 |共1集
简介:
一个充满悬疑又充溢着温情暖意的爱心故事,通过富有心理节奏感的叙事方式将当今社会中人与人之间的亲情友情爱情进行人文化的探索拷问与剖析,唤起人们的温情与爱和对生活的责任感,即有框架的娱乐因素,更是对社会人与人的关爱、真诚、善良进行了弘扬,让人深思之后具有启迪意义,从而感到了当今社会的和谐之爱和美好初心。新增了一个维度去理解现代生活中某些出现的影响与痛苦,从而将友情、亲情、青春等元素进行融合,使观者有了更深入的共情感。 生活中的浪漫、快乐,通过具有生活化的艺术提纯,将片中彰显着生命的活力与对生活的热情的恰如其份的表达出来,感慨世间的真情挚爱。剧中的主人公在身边朋友的帮助下,走出了困扰重获了阳光的心态。 本片不仅在于让观众看到的生活原生态,更具光芒的是让观众们真切体会到了善良的意义与幸福,生活依旧处处有着激情的火花。
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简介:A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.  If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb  I have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.
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更新时间:04月09日
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简介:

  在阿斯特丽德(爱莉森•洛曼 饰)15岁那年,母亲(米歇尔•菲佛 饰)杀死了抛弃她的情人。阿斯特丽德亲眼看着母亲被捕。自从母亲被捕,她便过着孤苦伶仃的生活,与此同时她被收养了。
  阿斯特丽德从女主人的男友身上感觉到了父爱,却被女主人认为她勾引自己的男友,向她开枪。康复后的阿斯特丽德居住进抚养院,她常被欺负,但自从被枪伤之后她便知道她需要依靠自己力量来保护自己。
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  克莱尔的死对阿斯特丽德的打击很大,她要求被一名俄罗斯女商人收养,她变得自甘堕落。这时母亲要求阿斯特丽德为她出庭作证,并从母亲嘴里知道了有关自己的身世,可是她要求母亲放她走。
  母亲果真放她走了,母亲没有要她出庭,阿斯特丽德看着母亲走上囚车……

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