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　　在90年代，惊险刺激的电视节目《美国角斗士》令观众兴奋不已。这部系列纪录片探讨了这档节目的成功以及它如何险些胎死腹中。

　　#与六轻为邻20年空污下的云林
　　「《在云里》是一部非常阶级的影片，虽然是在云林的故事，可也同时是全台湾、全球的问题。空污不只是环境问题。」——詹皓中(导演)
　　云林，早期因森林密集，云雾缭绕般的美景命名，如此美丽的地方，长久以来皆位于发展的边陲位置，主要产业以农、渔业为主；后来，巨大的工厂开始林立，工厂的云烟取代了森林的云雾。
　　导演从小在云林成长，透过镜头呈现传统农业与石化工业并存的矛盾景观，在经济发展挂帅的价值观下，自然环境和居民是否成了最大的牺牲者？ 詹皓中：「我从小在云林长大，四处可见美好的田园风光，但除了农业以外，这里还有巨大的石化工业，人们因为石化工业的存在各抒己见，有人认为政府管制不当造成环境的浩劫，有的人认为石化工业带来良好的经济贡献，更多的人假装不知道，因此我希望透过镜头让大家看看这里发生的故事。」
　　渐渐，工厂的云烟，取代了森林的云雾…
　　#那些看不见的都在云里
　　#398根烟囱日夜排放...
　　#荣获台北电影节社会公义奖
　　导演纪录了3位罹癌居民的故事与许厝分校迁校事件，以及六轻周边环境的异变。
　　勇夺台北电影节会外赛「社会公义奖」。

　　本片为独立纪录片导演蒋能杰留守儿童三部曲的第二部，另外两部分别为《路》和《加一》，蒋能杰致力于用影像关注社会，用镜头呼吁更多人关注留守儿童，重视乡村教育。
　　本片荣获第三届 凤凰视频纪录片大奖 最佳纪录长片奖、法兰克福影展 一等奖。
　　2009年：首次走进村小，镜头记录临时学校的22个学生（其中17个为
　　留守儿童），同时关注村小艰难申请重建。
　　2010年：重建后的村小调来张老师教两个班，代课十几年的张老师老
　　为转正问题烦心和奔波，跟拍的留守儿童的学习、心理、生活也面临
　　着种种问题。
　　2011年：代课的 张老师因种种不满，已离开村小，跟拍的孩子们面临
　　的问题愈加严重。
　　2012年：由于媒体的力量，村小的物质条件有所改变，但好像无力改
　　善更多。
　　2013年：留守儿童生活看是没什么变化，其实在悄悄变化着。
　　2014年：又是一年春节，而跟拍的留守儿童家庭 …… 。
　　2009: First glance at the village school, in which the lives of 22 students including 17 left-behind children, together with the unsmooth application of the school’s reconstruction, were focused on.
　　2010: Teacher Zhang, a supply teacher with more than 10 years teaching experience, was assigned to the reconstructed school. While in charge of two classes, he was concerned about, and striving for the obtainment of permanent teaching status. Meanwhile, folks began to doubt on the quality of the school buildings, as the left-behind children were facing numerous problems in life, study and emotion.
　　2011: Mr. Zhang left the school out of dissatisfaction. After he left, the problems those left-behind children were confronting with became more serious.
　　2012: Thanks to the media, the material condition of the village school began to turn around. However, it still had a long way to go.
　　2013: The situation of those left-behind children seems unchanged, but it turned out to get changed day by day.
　　2014:As another Spring Festival comes, what is going on in those left-behind families?

　　Pat Tillman gave up his professional football career to join the Army Rangers in 2002—and became an instant symbol of patriotic fervor and unflinching duty. But the truth about Pat Tillman is far more complex, and ultimately more heroic, than the caricature created by the media. And when the government tried to turn his death into war propaganda, they took on the wrong family. From her home in the Santa Cruz mountains, Pat’s mother, Dannie Tillman, led the family’s crusade to reveal the truth beneath the mythology of their son’s life and death.
　　Featuring candid and revelatory interviews with Pat's fellow soldiers as well as his family, Amir Bar-Lev’s emotional and insightful film not only shines a light on the shady aftermath of Pat’s death and calls to task the entire chain of command but also examines themes as timeless as the notion of heroism itself.

　　熟悉的歌声响起，从小到大的她的影像出现，聚焦这个尚未满19岁的年轻歌手的崛起、她那些改变了自己和许多人人生的音乐、她台前幕后的生活。

　　第一季尼泊尔、肯尼亚、喜马拉雅、秘鲁、西伯利亚
　　第二季埃塞俄比亚、墨西哥、蒙古、尼加拉瓜、巴布亚新几内亚
　　第三季玻利维亚、哥伦比亚、菲律宾

　　《性生活》是一部官能現實系列，窺探式紀錄片，圍繞「有趣的性和色情體驗」。
　　美高梅的無劇本與另類電視台和Orion電視台總裁，巴里楫i茲尼克（Barry Poznick），
　　分享了他對該節目的熱情，他說：「與電影講故事者合作，從關門的背後帶給觀眾親密而
　　挑釁的活動，擴大了美高梅電視台獨家節目的範圍 吸引全世界的觀眾。」
　　該節目的第一季於2019年6月14日在Epix上首映，廣受好評。 第二季亦推出兩集，引起熱
　　議。

　　The Yangtze River Bridge in Nanjing is one of the most famous bridges in China. It is also the most popular place in the world to commit suicide. For the past 11 years Chen Si has been patrolling this bridge, looking to provide aid for those who've gone there to end their lives. Incredibly, he has saved over 300 people since he began - nearly one every two weeks.
　　南京长江大桥是中国最著名的桥梁之一，同时也是世界上自杀最高发的地点。11年以来陈思一直巡逻于大桥之上，以救助那些准备轻生的人们。难以置信的是，他从开始到如今拯救过的人数已在300以上 - 几乎是每两个礼拜救一人。

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　　일본, 북미, 유럽 등 전 세계를 뜨겁게 달군 ‘TOWARDS THE LIGHT : WILL TO POWER’의 화려한 서막을 장식한 뜨거운 순간이 스크린에서 다시 펼쳐진다.
　　강렬한 퍼포먼스로 무대를 장악한 ‘WONDERLAND (Symphony No.9 “From The Wonderland”)’, '미친 폼 (Crazy Form)', ‘Say My Name’, ‘Guerrilla’ 등 대표곡부터 멤버들의 개성이 빛나는 유닛 솔로 무대까지!
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　　ATEEZ WORLD TOUR [TOWARDS THE LIGHT : WILL TO POWER] IN CINEMAS