Narrated by two-time Golden Globe® nominee Ewan McGregor, Humpback Whales is an extraordinary journey into the mysterious world of one of nature’s most awe-inspiring marine mammals. Set in the spectacular waters of Alaska, Hawaii and the remote islands of Tonga, this ocean adventure offers audiences an up-close look at how these whales communicate, sing, feed, play and take care of their young. Captured for the first time with IMAX® 3D cameras, and found in every ocean on earth, humpbacks were nearly driven to extinction 50 years ago, but today are making a slow but remarkable recovery. Join a team of researchers as they unlock the secrets of the humpback and find out why humpbacks are the most acrobatic of all whales, why they sing their haunting songs, and why these intelligent 55-foot, 50-ton animals migrate up to 10,000 miles round-trip every year. A MacGillivray Freeman film presented by Pacific Life, Humpback Whales is directed by Greg MacGillivray (The Living Sea, Dolphins, Everest) and produced by Shaun MacGillivray (To The Arctic, Grand Canyon Adventure). Filmed with 15perf / 65mm IMAX® cameras, Humpback Whales is written and edited by Stephen Judson (Everest, To The Arctic) with a musical score by Steve Wood (Journey to the South Pacific, To The Arctic). A One World One Ocean production.
全片完全由导演所要宣传的政治思想和导演的情绪控制。第一首歌表现有了列宁之后各族人民的幸福生活，第二首歌表达了对列宁之死的哀恸，第三首歌则描绘了在列宁思想的引导下全国人民的社会主义建设。
创世大爆炸之前是什么样的？答案或许在黑洞中。
在遥远西藏的北方，有一片被称为羌塘的神奇土地。雄伟的昆仑山和冈底斯山如同两条巨大的手臂，紧紧怀抱着这片60万平方公里的无人区。羌塘不仅是中国最大的无人区，也是中国最大、世界第二的自然保护区。 在无人区腹地耸立着巨大的普若岗日冰原，普若岗日冰原海拔高度在6000米至6800米之间，面积422平方公里，是世界上最大的中低纬度冰川，1999年首次被中美科学家联合考查时发现并被确认为世界上除南极、北极之外的第三大冰川。 制片人老蔡，曾经进入过羌塘无人区，计划带队首次完成人类电影组对普若岗日冰川主峰拍摄。21岁的女导演子君决心追寻父辈的足迹，加入队伍。车队在前往冰原主峰的过程中危机四伏、危险不断，但都没能阻止这群普通中国人的脚步。 在狼群的注视下，这一行人终于抵达了冰川东南侧的主峰脚下。海拔六千米的冰舌上，导演子君终于说出了自己耿耿于怀的往事，制片人老蔡同样情绪崩溃——在他的心中，同样有着抱憾的过往，和对这片古老土地的深远情怀。 每个人都有自己心底的无人区，都有一些难以启齿又无法解决的伤痛，无论是否执着于无人区和山野，每个人都应该给自己一个机会，一个与自己和解、与过往和解、与他人和解的机会。
讲述一只初为熊母的北极熊带孩子的故事，在这个挑战日益艰难的世界中，年幼时的记忆帮助如今的它做好当母亲的准备，每一天都是新的冒险。
他们让夏日永不停歇。 海滩男孩，一个革新流行音乐的传奇乐团，他们具代表性的和声音乐创作象征了加州梦想，掳获了数个世代乐迷的心。
It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.
Stefan Sick的纪录片在疗养院观察了老年痴呆症患者的日常生活，并对这种特殊状态进行诗意的解读。
