牛仔大对决

　　The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
　　Part 1 comments on:
　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
　　■"Konkurs" ("Audition," 1963) by Miloš Forman
　　■"Křik" ("The Cry," 1963) by Jaromil Jireš
　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček Jan Schmidt
　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár Elmar Klos
　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
　　Part 2 comments on:
　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
　　■"Stud" ("Shame," 1967) by Ladislav Helge
　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
　　■"322" ("322," 1969) by Dušan Hanák
　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

　　曾荣获第88届美国国家评论协会奖，并入围奥斯卡纪录片短名单、美国独立精神奖、哥谭独立电影奖等专业奖项足够说明这部《持摄像机的人》的超高口碑。基尔斯滕·约翰逊是著名摄影师，曾经参与迈克尔·摩尔的《华氏911》、劳拉·珀特阿斯的《第四公民》等名作。你会在片中看到布鲁克林拳击手的挣扎、阿尔及利亚接生护士在恶劣条件下工作、波斯尼亚阿拉伯农民返乡等等。影片中对于那些遭受过大屠杀、大灾难的地点进行再审视的画面，更是直逼内心。

　　阿波罗计划开拓了人类的视野，让人类真正认识到月球的真实面貌，也带领宇航界进入另一个领域。为了记住这伟大的一刻，英国导演抓紧机会，找来了这批太空人，记录了他们当时的亲身经历和人生的转变。
　　在纪录片《月之阴影》的首映礼，宇航迷不但可以抢先看电影，还可以跟曾经参与阿波罗计划的太空人面对面。这五名曾在踏上月球表面的宇航员，将分享他们登月的故事和宇宙的奥秘。
　　阿波罗11号成员奥尔德林说，“从发展太空梭、太空站，到真正进入探索，我们经历非常困难的转型期。”
　　将阿波罗计划通过写实手法展现在荧幕上，是导演对这批科学家的致敬。
　　导演辛格顿说，“阿波罗计划不只是美国人的成就，而是全人类的成就，全世界都受到鼓舞。”
　　阿波罗计划从六十年代开始推出，为宇航业和全世界开拓新的领域。这部纪录了十名太空人登月成就的纪录片，曾经赢得两个电影节的奖项。

　　本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。
　　有意想观看的，可联系版权方微信：1714371600
　　《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。
　　加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。
　　留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。
　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
　　“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.

Chief Curator of Historic Royal Palaces, Lucy Worsley, explores the history of the Tower of London, Hampton Court and Kensington Palace to show how these places symbolize the evolution of British monarchs' place in society.

　　Witness the incredible rise, fall, and resurrection of Steve Madden, the man who launched a billion dollar fashion empire and whose branded shoes are in the closet of practically every woman under 30 in America. The film recounts how Madden rebuilt his life following imprisonment because of his entanglement with the infamous Wolf of Wall Street, Jordan Belfort.

　　In the age of social media, this eye-opening documentary examines the rising phenomenon of “fake news” in the U.S. and the impact that disinformation, conspiracy theories and false news stories have on the average citizen. The film focuses on several high-profile made-up news stories in recent years with real world consequences, including the infamous “Pizzagate” case, the disinformation campaigns that influenced the 2016 presidential election, the Jade Helm conspiracy, and others. Drawing from exclusive verite access and interviews with a variety of experts, as well as purveyors and targets of misinformation, the documentary sheds light on how post-truth culture has become an increasingly dangerous part of the global information environment.

　　Sgt专辑50周年的纪念影片，能在里面看到不少老面孔，之前看到专辑重新发行后，居然还登顶过销量榜首，真是感慨超级乐队的伟大魅力。

　　二后生五十出头，是个唱二人台的江湖艺人。游走在内蒙古河套地区。
　　二十四年前，他在一个村子卖唱时认识了三女子。三女子有男人，家境苦寒，男人让她跟上二后生卖唱养家。不料日久生情，二后生要带三女子远走高飞。男人知道后叫上自家的两个兄弟，把二后生诓到村里，挖掉了他的双眼。二后生死里逃生，保全性命。后来便把这段经历编成了二人台曲子，曲名叫《挖眼睛》。红及内蒙晋北一代。
　　纪录片《挖眼睛》记录了二后生的日常生活，追述了那些不堪的往事。呈现了他以死延生的人生境遇。