一男一女两位生存专家醒来惊讶地发现自己处在一个偏远而荒凉的地方。毫无装备、浑身赤裸的他们需要在此生存21天。
A year in the life of a dying shopping mall.
该纪录片由曼努埃尔·阿尔卡拉（《博物馆》）执导，赫拉尔多·加蒂卡（《我已不在这里》《悲惨的丛林》）、因娜·帕扬（《La Jaula de Oro》）和路易斯·萨利纳斯联合制作，丹尼尔·希梅内斯·卡乔担任旁白，讲述了调查记者曼努尔·布恩迪亚的生平故事。1984 年，布恩迪亚在墨西哥城的办公室外惨遭杀害。 这部长篇纪录片拍摄于布恩迪亚去世 35 年后，汇集了来自布恩迪亚同辈人的声音，借此展示了布恩迪亚所做的工作，并且通过这些证词引出一个问题：谁杀了曼努埃尔·布恩迪亚，TA 的动机为何？
对于老牌泰米尔超级巨星拉金尼坎斯，铁杆粉丝对他不是简单的个人崇拜，而是一种坚定的宗教信仰。
故事讲述来自得克萨斯州的1000个17岁男孩参加了从零开始的代议制政府的故事。
Excellent cinematography is displayed in the film-Cohen utilizes various types of film, from super 8 to 16mm. Fugazi, being the greatest medley of musicians to emerge from the DC area, is depicted on screen in an 115 minute documentary. The video includes really neat live footage, as well as some bonus material.
《生和活》是一部采用法国纪录片流派“真实电影”的创作方法来完成的纪录短片。全片随机采访身处上海郊区古镇的各种人，向他们提出人生三问：你是谁？你从哪里来？生活得怎么样？通过以上普适性的问题，将“生活”拆分成“生”和“活”，让每个人重新看待和思考自己的生活。回答是一种“对境”，折射出每个回答者的身份、阶层、处境和心境。
The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.
