Two naked survivalists are challenged to survive for 21 days in the Costa Rican rainforest, despite a deadly snake bite on a producer. Kim is paired with Shane. They encounter challenges including rain, illness, shelter fire, and a snake attack.
由新加坡導演黃程瀚執導，紀錄米其林二星餐廳老闆江振誠的事業軌跡。講述台灣名廚André Chiang江振誠面對食物、生活皆追求完美的態度，也揭開他捨棄名利、結束新加坡米其林二星餐廳的原委。
「在你過世之後，你希望留給這個世界什麼？又希望後世的人們如何看待你？」 史帕汀格瑞，演員、劇作家、表演藝術家、傳記作家，同時也是一位知名的獨白表演者，2004年自殺身亡。 執導過《性、謊言、錄影帶》、《瞞天過海》等片的金獎大導史蒂芬索德柏，從格瑞生前電視節目訪談和戲劇表演共約九十小時的錄像中，剪輯出一個與眾不同的故事，演繹格瑞的一生。
一男一女两名生存专家醒来发现自己处在一个偏远而荒芜的地方。 他们身上什么都没有，全身赤裸。他们的任务是生存二十一天。
在90年代，惊险刺激的电视节目《美国角斗士》令观众兴奋不已。这部系列纪录片探讨了这档节目的成功以及它如何险些胎死腹中。
斯派克·李将为百老汇舞台剧《大卫·伯恩的美国乌托邦》执导电影版。该剧目已在去年10月开演，持续到今年2月16日。电影版计划于今年上映。
浙江广播电视集团与杭州?湖?景名胜区联合出品的《飞来峰》是浙江首部 8K 超高清纪录片。 本片以飞来峰山水、溶洞中的“微笑”符号为叙事线索，破壁架桥， 从东南形胜的自然景观到石窟艺术的精妙造诣，从文明相通的人类讯息，到会心一笑的文人翰墨，用浙派纪录片的诗意表达解码其中的文化基因，带领观众感受穿越千年、直抵人心的石窟艺术魅力。《?来峰》首次在浙江广电行业中应用了 8K 超高清影像技术、AIGC 数字修复技术、杜比全景声等多项最新技术， 填补行业空白，用“文化+科技”的力量探索文物保护传承和中华文化传播新路径。
本片为独立纪录片导演蒋能杰留守儿童三部曲的第二部，另外两部分别为《路》和《加一》，蒋能杰致力于用影像关注社会，用镜头呼吁更多人关注留守儿童，重视乡村教育。 本片荣获第三届 凤凰视频纪录片大奖 最佳纪录长片奖、法兰克福影展 一等奖。 2009年：首次走进村小，镜头记录临时学校的22个学生（其中17个为 留守儿童），同时关注村小艰难申请重建。 2010年：重建后的村小调来张老师教两个班，代课十几年的张老师老 为转正问题烦心和奔波，跟拍的留守儿童的学习、心理、生活也面临 着种种问题。 2011年：代课的 张老师因种种不满，已离开村小，跟拍的孩子们面临 的问题愈加严重。 2012年：由于媒体的力量，村小的物质条件有所改变，但好像无力改 善更多。 2013年：留守儿童生活看是没什么变化，其实在悄悄变化着。 2014年：又是一年春节，而跟拍的留守儿童家庭 …… 。 2009: First glance at the village school, in which the lives of 22 students including 17 left-behind children, together with the unsmooth application of the school’s reconstruction, were focused on. 2010: Teacher Zhang, a supply teacher with more than 10 years teaching experience, was assigned to the reconstructed school. While in charge of two classes, he was concerned about, and striving for the obtainment of permanent teaching status. Meanwhile, folks began to doubt on the quality of the school buildings, as the left-behind children were facing numerous problems in life, study and emotion. 2011: Mr. Zhang left the school out of dissatisfaction. After he left, the problems those left-behind children were confronting with became more serious. 2012: Thanks to the media, the material condition of the village school began to turn around. However, it still had a long way to go. 2013: The situation of those left-behind children seems unchanged, but it turned out to get changed day by day. 2014:As another Spring Festival comes, what is going on in those left-behind families?
Two high level scuba-divers and long-time friends, Don and Dave, broke a world record for depth in the Boesmansgat cave in South Africa. It would take them 15 minutes to reach the bottom, but 12 hours to surface. Having reached the bottom, against all odds, they find a body. They decide to come back and retrieve it. They call the parents, enrol 8 fellow divers, and hire a cameraman to document the dive. The camera will follow them throughout the preparation and the dive, including to the bottom of the cave. Little did they know that on that historic dive, Dave would not be coming back. In this time of over-performance driven by self-promotion and self-filming comes Boesmansgat, a story of loss and mourning where egoism and altruism, hubris and self-control, risk-taking and spirituality all go hand in hand. A cascade of choices and tense paradoxes that lead to a tragedy long foreseen, yet impossible to prevent. Written by AADP
