和RM、Jin、SUGA、j-hope、Jimin、V、Jung Kook度过的10年纪念，一探BTS这些精彩时光的幕后故事。
她，高龄九十岁，是菲律宾现任国会众议员；她，拥有三千双鞋，曾为了兴建野生动物园而强制居民拆迁，但也成立文化中心推广艺文。她是伊美黛，是威权统治菲律宾长达二十年的独裁者马可仕的遗孀、人称「铁蝴蝶」的前第一夫人，是毛泽东唯一公开亲吻的女人，代表菲律宾最有权势也最具争议的家族 。1965年经历动荡的冷战时期，双手沾染鲜血与财富，1986年「人民力量革命」推翻马可仕政权后逃亡海外，尔后又带领家族成员一步步重返菲律宾政坛。 继纪录片《凡尔赛女王》后，导演劳伦格林菲尔德再次将镜头瞄准争议性人物，长达四年的拍摄，层层剥解褪去大众舆论的表象外衣，窥探这位菲律宾前第一夫人複杂、矛盾又充满野心的一面。对照菲律宾当前内部高涨的民粹情绪，再次迎来的强人政治，转型正义与真正的民主似乎仍路途遥远。
This isn't Wakanda. Deep in south India is a jungle kingdom that has inspired legends. Kabini, in the Nagarhole Tiger Reserve, is home to a rogue confederation of animal tribes all vying for...
《大陆寻奇》是台湾地区录制的一档以祖国大陆各地有特色的风景名胜、文物古迹和民俗风情为主要内容的电视专题纪录片。该节目于1990年8月11日开播，是中国电视公司（中视）最长寿的社教节目。
On April 20, 2010, the Deepwater Horizon oil rig exploded in the Gulf of Mexico. It killed 11 workers and caused the worst oil spill in American history. The explosion still haunts the lives of those most intimately affected, though the story has long ago faded from the front page. At once a fascinating corporate thriller, a heartbreaking human drama and a peek inside the walls...
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷（代表作《双重特工》）创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景，融合了地缘政治、爵士音乐、冷战阴谋和殖民实践，是一部爆炸性的混合体。片中既有详尽的研究和数据，又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时，影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏，浑然不知他们不过是中情局阴谋的幌子。最终，这部影片充满了音乐和电影能量，同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
吉尔伯特·阿里纳斯和加瓦利斯·克里坦顿之间到底发生了什么？本片揭开了一场赌局纠纷如何演变为美国职业篮球联赛更衣室里的持枪对峙。
On a cold November night in 1993, Wanda Lopez was stabbed to death while she worked at a Corpus Cristi Texas gas station. 21 year old Carlos DeLuna was arrested, and over the next six years, through his trial and subsequent imprisonment he protested his innocence, declaring that it was another Carlos who committed the crime. The prosecution insisted that this other Carlos was a “phantom’ and didn’t exist. Through illuminating interviews with witnesses, Carlos’ family members, and legal experts the film asks, for the first time since 1993, if the judicial system executed an innocent man, examining key evidence that calls into question whether or not Carlos DeLuna was right about the other Carlos. Was he a phantom after all, or was he a brutal killer, and did a poor Hispanic young man have any chance within a justice system and a society that by it's actions seemed to regard him as disposable? —Deborah Rudolph
