法医密档

　　这是一部关于在战争中幸存者的电影，潘礼德的新作《辐射》将关切投向整个人类灾难史，犹太大屠杀、南京大屠杀、越南战争、南斯拉夫战争、广岛核爆炸、福岛核泄漏等事件都成为了构成影片内容的素材之一。他还用影像装置艺术、融媒体艺术将影片的风格进行重构与升级，使得自己的创作超越了单一纪实的局限，并更具抽象色彩。

　　The workers of a self-managed tea factory decide to go against the grain and play by their own rules. The problem is, how can you plan, work and survive in a world driven by ruthless competition? One day at a time, for instance. In a world ruled by profit and dominated by the exploitation of the weaker ones, the film literally offers an alternative set of ways about how to think our future and the means and tools to work for it. It is not an easy job but, as Taste of Hope carefully and precisely shows, there is still a lot that can be done if we change our relationship to production and labor. Instead of making grand gestures or political statements, the filmmaker works with the camera and with a thoughtful editing in order to understand how to weave together new possibilities of communal existence. The result is a superbly crafted observational exercise. A little manual of self-defense and resistance in the face of a neoliberalism that wishes for workers to keep their heads down. A taste of hope indeed.

当圣安娜风撕碎天际，房屋化为焦土，有人失去了一切，有人却在灰烬中攫取利益。
　　追梦演员的剧本被火焰吞噬，豪宅经纪人的合同在废墟中疯涨，私立消防员为富人筑起防火墙，而月薪56美元的犯人消防员在火海中搏命……
　　一座被烧毁的兔子博物馆，藏着城市的荒诞寓言——“大火不会选择燃烧谁，但有人会。”

For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

　　在这部纪录片中，一个在乌克兰战争中背井离乡的女孩与祖母一同前往阿尔卑斯山参加夏令营，挑战自己勇气的极限。

　　“国家地理”将携手杰夫·高布伦打造一档全新探秘纪录片系列，名为《杰夫·高布伦的好奇心》(The Curiosity of Jeff Goldblum，暂译)。该系列片共12集，每集半小时，观众将在高布伦的带领下探寻世界上那些看似平常物的神奇一面，如气球、冰淇淋、卫生纸等。目前播出时间尚未确定。

古諾楓是古風部落舊名，布農語的意思是「遍生茵蔯蒿」的地方。卓楓國小的孩子們出生在這裡、在這裡讀書成長。部落規模不大，所以他們彼此親如家人；因為歌聲，所以他們四處比賽、表演，全國皆聞；全校只有 23人，所以他們始終面臨著廢／併校的焦慮。這是一個關於（多種意義下的）偏鄉，的故事。以三個學生（家庭）為主要拍攝對象，從他們的生活、眼中和話語來串起卓楓國小與古風部落的現況和故事；關於布農族、關於部落遠景、關於大家對教育的想像、關於孩子們的歌聲，關於幸福。 即使，發生在學校周圍的事情一場又一場、人們來來去去、節慶過了又來，時序走過了冬天春天，校園裡的老楓樹度再次茂密，孩子們將在夏天畢業。唱歌對他們來說，已經是一件不只是比賽的事。他們在走路的時候唱歌、在排隊的時候唱歌、在山上和家裡，他們無時無刻的在這裡和那裡，都大聲唱歌。歌繼續唱過了一首又一首，卓楓仍然在這裡。幸...

　　本系列纪录片讲述了三组来自世界各地令人大开眼界的“特殊人物”。一对来自巴基斯坦的“太阳能男孩”——白天生龙活虎，太阳一落山就完全陷入瘫痪，全身动弹不得。一名被“偷走青春”的英国少女——明明只有20岁却长了一副60多岁的容颜。还有来自印尼的世界上最重的男孩——190多公斤的体重，几乎让他寸步难行。这些人都因为各种全球罕见的病症，被生活逼上了绝路。本片将通过对他们的跟踪采访，揭示这些特殊人物的日常生活，以及他们对抗自身命运的不懈斗争。