渔业阴谋

　　我们发推文、点赞、分享 — 但日益依赖社交媒体会带来什么后果？随着数字平台日益成为人们保持联系的重要方式，硅谷内部人士通过暴露屏幕另一侧的隐藏内容，揭示了社交媒体如何重新改写文明。

　　Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous.
　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around.
　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

本片获得第74届威尼斯电影节地平线单元奖评审团特别奖。 　　本片为纪录片，主人公为臭名昭著的食人魔佐川一政。影片并没有将还原案件当做主题，而是以年迈的佐川一政与弟弟的对话，来更深层次的探究其心理状态。

在母鲨鱼的子宫里，小鲨鱼就会猎食手eee。而人们越来越多地发现在近海海岸和广阔的海洋里，大白鲨、双髻鲨、鼬鲨等同种类和不同种类的鲨鱼之间都会以大欺小、自相残杀、相互猎食。科学家对鲨鱼的这种行为感到不解。鲨鱼同类相残的行为是自古就有的吗？这种同类相食的行为是出于鲨鱼的本性吗？

　　《耶稣，你知道》 (Jesus, You Know)《狗日子》导演伍瑞克•塞德尔另类大胆的纪录片获奖：2003年捷克卡罗维发利国际电影节最佳记录片奖2003年维也纳国际电影节维也纳奖简介：六名天主教徒在不同的教堂里跟耶稣分享他们的想法和问题；而导演的摄影机则全程一直跟随着他们，客观地记录下他们与耶稣的对话。

泰坦尼克号的沉没致使1500多人丧生，是历史上最严重的海上灾难之一。但这部影片认为，其实是一系列的错误判断、人们的差错和不幸，导致了这艘当时最大的班轮和其上乘客与船员们的命运的。如果缺失其中任意一环，都可以避免这场历史性的灾难。这部电影靠着残骸中得到的材料，法医的证据，政府的记录，绘制出灾难背后的原因。还借鉴了最新的研究，以及目击者的证词，从这些人的角度来重建事故，并揭穿了泰坦尼克上的许多神话。

　　以小說征服全世界的文壇大師米蘭昆德拉低調成謎。他在 1985 年決定不再接受訪問，也沒公開露面，從此隱身於作品後。如今一名學子，決定挑戰這個不可能的任務：採訪米蘭昆德拉！鏡頭跟隨著他探訪和昆德拉交手過的藝文圈人士，一窺他在家鄉布爾諾的生活、於布拉格 FAMU 電影學院學習及任教期間的獨到作風。為何他在《生命中不能承受之輕》被改編成電影之後，再不允許自己任何一本小說被翻拍成電影？他為何流亡法國，並決定以法語寫作？昆德拉禁止他的法語著作被翻譯成捷克語的原因又是什麼？從昆德拉第一部長篇小說《玩笑》，到打破封筆宣言之作《無謂的盛宴》，逐步揭開他小說中的哲學探討。他對文字的極致要求，絕對令你大開眼界！

　　Documentary following the police department in Flint, Michigan as they struggle with dwindling resources and crumbling infrastructure in a community crippled by violence and a contaminated water crisis.
　　纪录片拍摄了密歇根州弗林特市的警察部门，如何面对在一个因暴力和水污染危机而瘫痪的城市中去解决警力资源减少和基础设施匮乏的困境。