马尔亚之战

　　Lead Me Home is a short film that follows several people living on the streets in West Coast cities. Conceived to be a cinematic study of contrasts, the film will be familiar and shocking intimate and vast. By weaving individual stories with aerial vistas, time-lapse photography, and evocative details of contemporary urban life, Lead Me Home aims to spark a national conversation about the epic scale of this alarming and ever-growing problem.

　　这部纪录片深度剖析了关于尼安德特人的谜团，根据化石记录讲述了他们的生活以及灭绝的原因。

　　The film is dedicated to the Armenian monk and genius composer Komitas, and the 2 million victims on his people in Turkey in 1915. The final 20 years of Komitas life were spent in various mental hospitals. The destiny of Komitas? This is the magic beauty of Armenian culture and the abhorrent brutality of Armenian history. A cultural and artistic world that was slaughtered with a curved knife. A humanity that doggedly advances towards an apocalyptic catastrophe, that does not recognize its own original purpose, eradicates its own memory, its final roots.

　　Auction Hunters, Allen Haff and Ton Jones, travel America bidding on unclaimed storage units they think will contain the most hidden treasure - worth big cash - the better the history the higher the price.

我们蔚蓝色的星球被无穷无尽的海洋所覆盖。表面上单调无奇的大海，其下却蕴藏着数不胜数的奇迹。如今人类能够摆脱地球的束缚，遨游太空，但我们对海洋的认识至今还停留在冰山一角。非洲水下奇观将视角聚焦到了非洲的海洋，从不同以往的深度探索动物，植物和重要的生态系统宝库，带我们领略自然的无限可能。单纯的进食和繁殖任务，让物种间能够和谐共生，也会爆发战争，云谲波诡的自然界往往能一次次刷新人类的认知。认识自然的过程也是人类认识自己的过程，本片旨在管中窥豹，带领我们走向自然界的繁荣和衰败，神秘与伟大，呼吁大家珍惜自然

　　捷克斯洛伐克1972年影像大师杜桑·哈那克执导的一部黑白纪录片，是其电影生涯中最重要、最有影响力的一部作品，也是捷克电影史最重要的作品之一。拍摄完成后，因其主题过于灰暗，关注乡村中命运悲惨、失去劳动力的老人，无法通过捷克电影局的审查。捷克文化部长、诗人Miroslav Valek出面挽救了该片，将其更名为《旧世界群像》而转移了审查的压力。
　　这部纪录片的灵感来自马汀马伦克拍摄的老年人物肖像摄影。看似奇特的人物常隐藏着悲剧性的命运，他们因为贫穷、自私、疾病或老迈而频频挣扎，却又同时对抗着这世界。

　　这个开创性的系列旨在回答历史上最重要的问题之一。 纳粹最终是怎么做的？ 受过良好教育的文明人如何变成了扭曲得难以想象的残酷怪物。 这个令人震惊和揭示性的系列文章探讨了六个主要的纳粹分子。