史上票房最高的纪录片《海洋》的导演雅克•贝汉与雅克•克鲁佐德的新作。雅克·贝汉《自然三部曲》系列(《迁徙的鸟》、《海洋》）终结篇。
张大千（1899-1983）曾被誉为500年来第一人，是20世纪从中国走向西方并享誉西方画坛的重要画家。 1949年， 他选择自我放逐远离故土，漂泊海外，在异国他乡度过了生命的后半生。长篇纪录片「万里千寻」探寻和表现了这位中国画家鲜为人知的海外艺术和人生之旅， 从而感受一位从东方走向西方并成为具有全球影响力的艺术家的心路历程。
这是你以前从未见过的越南，越南人口超过九千万，有着令人叹为观止的景观，历史悠久的寺庙，并拥有这世界上发展最快的城市。我们在首都河内开始我们的旅程，接下来去哈龙湾和附近的宁滨，然后我们去港口城市岘港参观惠安和顺化，最后我们参观胡志明市，原名西贡。在这段难忘的旅程中，我们穿过国家北部的山脉，来到热带南部体验令人惊叹的地理奇观；并寻找古代王国的遗迹。欣赏它令人叹为观止的风景，包括世界上最美丽的海滩。并让我们凭借其令人惊叹的现代建筑壮举，见证其最先进的新的大城市的诞生。欢迎跟随着我们一起，从高空看越南。
紀錄片導演班博曼原本想拍一部關於80年代紅極一時的魔術師「犀利喬納森」(The Amazing Johnathan) 的紀錄片。但當被拍者反客為主，故佈迷陣把導演耍得暈頭轉向，這個亂局可以怎樣收科？事緣最初喬納森被診斷患上心臟病，只剩下一年命，被迫退休；但三年後，喬納森死唔去，決定東山再起。導演班博曼於是決定追蹤拍攝他的復出巡迴表演，豈料喬納森突然玩嘢，將班博曼殺個措手不及，令拍攝工作遇上許多未知數和障礙。但班博曼將局面扭轉，順勢進一步探討何謂真相，何謂假象。看來導演才是真正的魔術師，化腐朽為神奇把差點爛尾的紀錄片起死回生！
Controversial Pakistani cleric Maulana Aziz, linked to the Taliban, declares jihad against the government to impose sharia law. The government retaliates by destroying his seminary, killing his mother, brother, his only son and 150 students. The film follows charming yet menacing Maulana Aziz on his personal quest to create an Islamic utopia, which causes the country to implode. The Red Mosque has students allied with ISIL, and strong ties to the Taliban. We meet two Red Mosque students whose paths diverge: Talha, 12, leaves his moderate Muslim family to study to be a jihadi preacher. Zarina, also 12, escapes her madrassa and joins a normal school. Her education is threatened by frequent Taliban attacks on schools like her own. In December, 2014, the Taliban massacred 132 schoolchildren in Peshawar, outraging Pakistan's moderate majority. Aziz's longtime opponent, education reformer Pervez Hoodbhoy joins the re-energized anti-extremist movement. Throughout the film, he passionately opposes Aziz on television and public forums. With the tide turning against the cleric, Pervez is determined to see Aziz put in jail. Intimate and brutally honest, AMONG THE BELIEVERS offers rare insight into the ideological battle shaping Pakistan and the Muslim world. Pakistan's notorious cleric Maulana Aziz, with links to Taliban, declares jihad against the government to impose sharia law. This sparks a bloody war and causes the country to implode. Along with Aziz's quest, the film charts the coming-of-age stories of his two students who are trapped in this ideological war.
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
电影贯穿于一个女声读信的呓语中，日本、冰岛、几内亚、香港各种影像交叉着，但作者把最多的时间留给了东京。他去记录日本人民的文化和生活，标志性的招财猫，宗教仪式，性文化，漫画，铁道，珍珠港，摇滚乐，街上的舞蹈.....为观众呈现经济奇迹后的日本最真实的一面。作者用影像寄托着他对人类现状的关注，对历史和记忆的思考。
开创性纪录片《奶牛阴谋》的联合创剧人带来《海洋阴谋》，这部后续纪录片揭示了令人担忧的事实：人类行为已对海洋环境造成广泛的破坏，但这点却鲜为人知。电影制作人阿里·塔瑞兹原本只打算拍摄他心爱的海洋，但后来却发现自己在审视人类对脆弱的海洋所造成的伤害。从污染水域的塑料和渔具，到底拖作业和副渔获造成的不可挽回的破坏，再到非法捕鱼和毁灭性的狩猎行为，人类正在对海洋生物造成重创，进而威胁到整个地球。塔瑞兹的最终发现不仅挑战了可持续捕鱼的理念，任何人如果关注海洋生命、地球的未来以及人类和地球的关系，都将从中得到警示。
