阴阳路5一见发财
2.0 |04月13日 |HD国语
简介:

香港出租车夜晚拉客常常遇鬼,比如夜车司机林中发(古天乐饰)就差点载一女鬼(罗兰饰)前往荃湾,而同事“快车长”(雷宇杨饰)却遇见某女扮鬼诈骗,随后又载真女鬼前往和合石火葬场。嗜赌成性的林中发收工后被追债上门,为躲赌债不得已携妻子(李蕙敏饰)和儿子安仔搬入阴阳路上某廉价大屋,却发现房中闹鬼,吓得安仔夜夜哭泣不停。林中发向屋中鬼魂(吴毅将饰)赌咒发誓,若帮他畅通财路,便愿将自己所有一切分半同享。第二日,林中发发现屋中出现一组神秘数字,从此他所向披靡,逢赌必胜;但林中发没想到的是,屋中鬼魂要分的不仅是他的财富,还有他的妻子和儿子……   本片是《阴阳路》系列的第五部作品。

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一文不名的青年丹尼(Anthony Ilott 饰)偶然得知他在偏远的西佛尼亚州山村还有亲戚的消息,于是在一个阳光明媚的日子里,丹尼带着女友托妮(Aqueela Zoll 饰)以及维克(Rollo Skinner 饰)吉莉安(Roxanne Pallett 饰)、罗德(Billy Ashworth 饰)等朋友来到了幽静而神秘的霍布温泉庄园。该庄园建于20世纪初,虽然老旧却不失典雅庄严。号称丹尼表兄妹的杰克森(Chris Jarvis 饰)和萨莉(Sadie Katz 饰)殷勤接待了一行人。快乐无忧的年轻人们纵情玩耍,口无遮拦,却不知晓这里隐藏着怎样可怕而惊人的秘密。   对丹尼来说,原本是继承家产的愉快旅程,而今变成了遭受可怕恶魔猎杀的狩猎游戏……

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简介:This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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