野餐

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　1980年代，江南某农村。谷家湾生产队副队长谷正茂（陈述饰）和女儿小兰（陈鸿梅 饰）整日醉心科学种田，小兰妈（李玲君 饰）却为女儿的婚事暗暗着急。一天，小兰妈无意结识邻村也为儿子刘纯（朱顺良 饰）婚事发愁的祝二婶（高淬 饰），俩人相见恨晚，并商定择日让儿女相亲。相亲当日阴差阳错，小兰埋怨母亲不该骗她来相亲，刘纯则借机跟谷正茂来到谷家。祝二婶见儿子逃脱，便将堂侄祝兴（毛永明 饰）拉来冒充，小兰见假刘纯一表人才，颇为中意，不料却遭双方儿女的反对。同是种田迷的刘纯与小兰在劳动中产生感情，金秋时节，两人共同培育的新稻种获得丰收......

　　故事开始于1949年的波兰，第二次世界大战刚刚结束，资本主义和社会主义的对立抵达了白热化的状态。维克多（托马斯·科特 Tomasz Kot 饰）是一名音乐家，他正在筹建一个青少年民族音乐演出团，靠演出传统波兰歌舞来输出国家的文化，制作人伊雷娜（阿伽塔·库雷斯扎 Agata Kulesza 饰）和监督官员卡奇马雷克（波利斯·席克 Borys Szyc 饰）也参与进了这一计划中。
　　一个名为祖拉（乔安娜·库里格 Joanna Kulig 饰）的女孩吸引了维克多的注意，虽然卡奇马雷克并不认为这个身世复杂的女孩是参加演出团的合适人选，但维克多还是义无反顾的认定了她。随着时间的推移，两个人坠入了情网之中。

麦克斯和艾比是一对幸福的夫妻。一场意外夺走了麦克斯。当艾比无比痛苦时，奇怪的事情发生了，麦克斯的鬼魂回来帮助她摆脱自己。但有了第二次机会在一起，两人都不想再说再见…

芬利是一位有才华、有抱负的小提琴家，她在去爱尔兰一个沿海小村庄参加大学学期的海外项目的路上遇到了著名的年轻电影明星贝克特。令人心动的贝克特带领紧张的芬利进行了一次冒险性的重新觉醒，她鼓励芬利掌控自己的未来，直到他的明星地位的压力挡在了路上，一段意外的浪漫就出现了。

物理学博士陈丁怎么也想不通，谈了五年的初恋女友，为何突然提出分手，决定赶去千里之外挽回。他偶然结识了古灵精怪的华裔少女小维。一辆车，两个人，朝夕相处的五天，帅气背包客约翰逊的闯入更让旅途变得惊心动魄。陈丁和小维从互相看不惯到慢慢了解，人生心结也因对方逐渐解开。就在此时，陈丁见到了女友……

邵氏继黄梅调电影之后，再一次领导古装歌唱电影风潮。由袁秋枫执导的《山歌姻缘》，特色乃是将中国各地民谣谱成山歌；全片四十余首歌曲，由静婷、江宏幕后代唱，每一首皆悦耳动听，脍炙人口。本片于台湾拍摄，更是何莉莉从影的处女作。剧情讲述，采茶姑娘宋玉兰（杜娟）与渔郎李春阳（乔庄）两情相悦，惟皇亲胡国丈之子胡三宝（葛小宝）垂涎玉兰美色，意图横刀夺爱，趁玉兰与春阳成婚之日，秘密将春阳推下虎狼山崖…… 　　邵氏继黄梅调电影之后，再一次领导古装歌唱电影风潮。由袁秋枫执导的《山歌姻缘》，特色乃是将中国各地民谣谱成山歌；全片四十余首歌曲，由静婷、江宏幕后代唱，每一首皆悦耳动听，脍炙人口。本片于台湾拍摄，更是何莉莉从影的处女作。剧情讲述，采茶姑娘宋玉兰（杜娟）与渔郎李春阳（乔庄）两情相悦，惟皇亲胡国丈之子胡三宝（葛小宝）垂涎玉兰美色，意图横刀夺爱，趁玉兰与春阳成婚之日，秘密将春...

吴山居招聘伙计，刘丧受吴山居的老板吴邪之托前来应聘并照看吴山居。初来乍到的刘丧与临时老板霍道夫和伙计豹萨结了怨，两人设计整刘丧报仇，却阴差阳错的让刘丧揭开了一个吴山居多年以前留下的未解之谜，解开了一个曾经在吴山居外墙存在多年却怎么也除不去的女子画像的故事。吴邪安排刘丧来此不是巧合，而是精心安排的解铃之行。

When his sister's classmate, Leelaa, comes to spend the summer at his family home, a friendship is forged in few days and when our hero decides to take off on a road trip across the country, Leela is more than ready to join him. But something happens on that road trip. Situations go out of control and our lead pair are thrown into a vortex that they're completely unprepared for...