插翅难飞2026
4.0 |06月02日 |HD |共1集
简介:

 在九十年代的江北市,刑警雷鸣与新人方晴在缉捕阴狠悍匪姜虎的过程中,陷入生死博弈。绑架、炸弹、卧底与假扮交换人质轮番上演,忠诚与背叛交织。最终警队以血肉之躯筑起钢铁防线,在惨烈对抗中迎来正义与牺牲的终局。

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简介:偷窃老手尼克(罗伯特·德尼罗 Robert De Niro 饰)顺利完成了委托人的任务返回住所,但是在交接时委托人麦斯(马龙·白兰度  Marlon Brando饰)给他带来了一好一坏两个消息:坏消息是买主死掉了,尼克无法出货;好消息则是有一单四百万的大生意在等着他——需要尼可从海关大楼的地下室偷出国王的加冕权杖。预备和女友结婚的尼可不想再涉足偷窃,但是麦斯的合作者——乔装弱智打入海关内部的青年杰克(爱德华·诺顿 Edward Norton 饰)对这单生意锲而不舍,杰克终于打动尼可,与之结成了偷窃权杖的二人组合。杰克凭借出色的急智完成了准备工作,尼可对这位锋芒毕露的年青人要求严格,但又不乏暗暗的赞许。行动当夜,两人潜入海关,但事情的发展却出人意表……
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简介:

故事发生在车水马龙的繁华大都市阿姆斯特丹,运河之中接连浮现的尸体让市民们陷入了恐慌的情绪之中,种种蛛丝马迹显示,这是一起由同一人所犯下的连环杀人案。案件的负责人是艾里克警探(休伯·史塔普 Huub Stapel 饰),心中的正义感让他决心定要找出隐藏在幕后的凶手。   在朋友约翰(Wim Zomer 饰)的协助下,艾里克将怀疑的目标放在了当地的潜水员圈子之中,他也因此结识了美丽善良的劳拉(莫妮卡·梵·德·冯 Monique van de Ven 饰)。功夫不负有心人,随着调查的深入,嫌疑人的身影终于浮出了水面,然而,在艾里克逐渐接近真相的同时,危险也慢慢地来到了他的身后。

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卧龙战警
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主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯
简介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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