乱世英豪
4.0 |04月13日 |HD中字
简介:

这部堪称捷克电影史的超级钜作,在捷克影史百大电影票选时,被推为影史第一佳片。故事描述中古世纪两大世族的恩怨情愁,内容涉及战乱、盗匪、乱伦、仇杀、灭门等错综复杂的情节。乱世中的英豪如何在家族传承和效忠国王间做选择?乱世儿女刻骨铭心的爱情是否终究被埋葬在滚滚尘土中?这部融合浪漫、动作、奇情、长达近三小时的中古史诗钜片,导演企图捕捉那个已逝去的年代之狂野和激情。视觉效果突出唯美,影片强而有力令人震撼。

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简介:

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

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福岡恋愛白書18
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主演:加藤小夏,奥野壮,柳百合菜,工藤遥,大仓空人,小岛爱子
简介:

  春。福岡市で一人暮らしを始めた短大生の莉央(加藤小夏)は、隣に住む浩平(奥野壮)と玄関で初めて遭遇する。一瞬でキュン死した莉央は、すっかり春の恋の予感。
  だが、親友の千尋(工藤遥)に隣人との恋愛のハードルを説かれ、前に進めない。
  そんなある日、莉央が手料理を振る舞うことになり、浩平はその美味しさに感動する。
  すると、まさかの展開が!毎週土曜の夜、莉央の手料理を一緒に食べる約束を交わすのだ!
  進展するかと思いきや、ただ食事するだけの関係。おまけに浩平の部屋を訪れる大人の女性(柳ゆり菜)の姿が。
  半ば諦めかけた莉央だったが、浩平から思いもよらぬ告白を受ける。そして、二人はただのお隣さんから恋人になる。
  3度目の春。莉央は博多で就職、浩平は下関の大学に編入し、お隣生活が終了。それでも浩平は2時間かけ博多でバイトして献身的に莉央に会いに来る。
  しかし、いつしか社会人の莉央とすれちがい破局を迎える。
  5度目の春。莉央にとって衝撃的な出来事が起こる!?
  はたして、莉央と浩平は“となり”にいられるのか―――

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