樱兰高校男公关部
简介:

因为打破了号称价值高达800万日元的名贵花瓶,倒霉女孩藤冈治绯(川口春奈 饰)被迫加入由须王环(山本裕典 饰)、凤镜夜(大东骏介 饰)、常陆院光(高木心平 饰)、常陆院馨(高木万平 饰)、埴之冢光邦(千叶雄大 饰)、铦之冢崇(中村昌也 饰)这六名系出名门的美男子组成的男公关部,每日里她与前辈们精心修饰打扮,巧妙周旋在私立樱兰学院那群高贵华丽的大小姐中间。在此期间,治绯的心中对须王环渐渐产生了好感。一年一度樱兰祭即将举行,公关部信心满满,势要在对战中拔得头筹。与此同时,美丽的米歇尔(篠田麻里子 饰)转入樱兰,她的到来似乎引起了环极大的兴趣。别样有趣的故事在樱兰拉开序幕……   本片根据同名漫画改编,是电视剧的电影版。

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主演:安东尼·希金斯,珍妮特·苏兹曼,安·路易斯·兰伯特,休·弗拉瑟,尼尔·坎宁安,Dave Hill,戴维·甘特,大卫·迈耶,托尼·迈尔,尼古拉斯·阿米尔,苏珊·克劳利,琳达·拉·普兰特,迈克尔·菲斯特,Alastair G. Cumming,Steve Ubels,Sylvia Rotter,David Joss Buckley,米迦勒·卡特,Vivienne Maya
简介:

故事发生在1694年的英国,家财万贯的郝博特夫人(珍妮特·苏兹曼 Janet Suzman 饰)雇佣了天才画师奈维尔(安东尼·希金斯 Anthony Higgins 饰),根据合同,后者需要替郝博特夫人所在的康普顿安斯庄园完成十二幅画作。在此期间,奈维尔和郝博特夫人之间产生了不伦的关系。   塔耳曼(休·弗拉瑟 Hugh Fraser 饰)是郝博特夫人的女婿,他一直希望能够得到堂皇富丽的康普顿安斯庄园,然而他的妻子塔耳曼太太(安·路易斯·兰伯特 Anne-Louise Lambert 饰)却一直没有子嗣,这令塔耳曼将在庄园中横行的奈维尔视作眼中钉。很快,奈维尔的情人名单里添上了塔耳曼太太的名字,此时的他并不知道的是,自己已经陷入了一个筹划已久的阴谋之中。

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绘图师的合约
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嗨妈妈
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简介:In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
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