我们是小僵尸

“EMILY” tells the imagined life of one of the world’s most famous authors, Emily Bront?. The film stars Emma Mackey (“Sex Education”, “Death on the Nile”) as Emily, a rebel and misfit, as she finds her voice and writes the literary classic Wuthering Heights. “EMILY” explores the relationships that inspired her – her raw, passionate sisterhood with Charlotte (Alexandra Dowling –...

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.

After nine days, Martha, an illegal Indonesian migrant worker (TKI) in Sabah, Malaysia, was finally repatriated. It fulfills Abram’s u nusual last message to his wife, Orpa, “There will be no funeral until Martha returns.” 　　Martha’s return brings great happiness to the family, particularly Orpa and their youngest daughter, Berta, as well as Damar-jati, Martha’s former high schoo...

　　阿布和努瓦思是马来西亚宗教寄宿学校里的同寝室友，阿布品学兼优、备受
　　同学敬重，成绩普通的努瓦思却常受校园恶霸欺凌。在充满疑惑与自我探索
　　的青春岁月里，两个相异的少年，却守着一个不可告人的秘密。

　　Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
　　Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.

法国1991年有”法国电影新浪潮祖母“之称的艾格尼丝.瓦达(《拾穗者与我》)执导的人物记录片，是对其丈夫、法国著名导演雅克德米(《秋水伊人》《柳眉花娇》)的一次生平记录。 　　雅克德米在30年代末还是个小孩，他的父亲拥有一个汽车库，他的母亲则是一位理发师，有着的家庭生活。他喜欢唱歌并且爱看电影，对所有类型的演出形式都着迷，他买了一架照像机拍摄他的第一个业余影片。这部影片通过他最亲密的人的角度，对雅克德米童年和职业生涯进行了一次全方位审视。

本片讲述的是一个发生在芬兰的家庭喜剧。佩卡破产了，他身无分文，却告诉家人自己仍然是一家互联网科技大公司的总裁。就这样，他为了自己的面子而维持假象，慢慢地，“掩饰”成了他的全职工作。不曾想，佩卡的父母突然到访。为了打消家人的怀疑，佩卡竟然举办了一次奢华的家庭晚宴。晚会很成功，但佩卡的教女被车撞到。那个鲁莽的司机成了佩卡一家人的公敌。这个司机想为自己的过失赎罪。但情况越来失控，佩卡一怒之下打了那个司机。佩卡幡然醒悟，决定告诉家人事情的真相。没想到的是，佩卡的坦白重圆了这个破碎的家庭……