汤屋街物语

简介：

一代京剧名旦杨玉楼，少年苦学进京闯荡，。在途中遇省亲大太监赵公公，由此引起宫中注意。杨玉楼被慈禧太后封为宫戏班头教头，结果却如羊入虎口九死一生。赵公公等恶势力的陷害，使杨玉楼屡遭磨难，但杨玉楼不断抗争，终于成为京剧武生泰斗。

简介：

Charlie Shepard自称是一名具有现代信仰的治疗师，靠Charlie微薄的收入，仅能供妻儿的吃喝。突然有一天，他的家人毫无理由的被不明身份的袭击者杀害，家人离去的痛苦和酒瘾不断困扰着他。 6个月后，查理放弃了以前的生活和他的房子，整天像一个鬼一样生活着。之后，一个名叫Sarah年轻神秘的女孩出现在镇上并找到Charlie，她是找到杀人凶手的唯一线索...

简介：年逾古稀、业已退休的戏剧演员莫里斯（Peter O'Toole 彼得•奥图尔 饰）和伊恩（Leslie Phillips莱斯利•菲利普斯 饰）是一对居住在伦敦的好朋友，闲赋在家中的他们生活平淡，偶尔去唐纳德（理查德•格利菲斯 饰）开的咖啡馆喝上一杯，追忆一下往昔的美好时光。　　他们平静的生活被一个女孩的到来打破。伊恩侄女的女儿杰茜（Jodie Whittaker 朱迪•惠特克 饰）从英国北部来到伦敦寻找工作，暂住在伊恩的公寓中。杰茜并不适应伦敦的生活，伊恩也对这个侄孙女头疼不已。关键时刻莫里斯为老朋友解了围，他带着杰茜游览伦敦，帮她寻找工作，并深深迷上这个敏感害羞的少女……　　本片荣获2006英国独立电影奖最佳男配角奖（Leslie Phillips）。

简介：吕小英常年以来被先天的眼疾困扰，视力不好，而这正与近一段时间连环杀人案的凶手天狗的特征相符，于是孪生妹妹吕小双认定姐姐是天狗，把吕小英赶出了家门，并说不许姐姐参加她的婚礼。一个月后，妹妹吕小双正在举行结婚典礼，可能是姐妹连心，正在忙碌的吕小双忽然感到一阵窒息，她预感到姐姐一定出了什么事情，顾不得正在进行着的婚礼，便奔往姐姐的住处，然而等待她的是姐姐挂在房梁上的冰凉尸体……　　尽管警方已经确认了吕小英是手术失败后彻底失明导致的绝望自杀，然而吕小双却根据现场的种种细节，坚信姐姐并非自杀，而且接下来几天发生的种种怪事也似乎印证着姐姐的死另有蹊跷。于是，吕小双把婚礼推迟，开始了艰难的侦探历程。那么，姐姐吕小英是连坏凶手天狗吗？她真的是上吊自杀吗？

简介：登(Pongsak Pongsuwan 饰)是一名泰国著名的民间剧院的男演员。由于精湛的演技，登成为了剧院的男一号，给剧院获带来了很大的金钱和名誉。就在这时，剧院负责人声称要把剧院变成电影工厂，登和他的伙伴宏(Choosak Iamsook 饰)对此深感失望，并且强烈反对这个想法，更重要的是女演员婵(Nikalaya Dhunlaya 饰)，登一直以来都很喜欢她，这时候登该如何让抉择呢？

简介：

法国著名导演布鲁诺·杜蒙前作《童女贞德》的续集。杜蒙以辨识度极高的舞台风格叙述贞德出征，后被勃艮第俘虏，在英国教堂接受审判的经过。素人女孩莉莎·勒普拉·普鲁多姆以精湛的演技表现了法国民族英雄贞德的勇气与力量。

简介：暂无简介

简介：

马提亚斯（Ignacio Rogers 饰）和杰罗尼莫（Esteban Masturini 饰）是青梅竹马的邻居加好友，两人之间的感情非常的要好。随着年龄的增长，性方面渐渐觉醒的两人最终发生了逾越了友谊的关系，当这段关系被家长们发现后，马提亚斯的父亲带着儿子离开了小镇，马提亚斯和杰罗尼莫之后再也没有联系过。 　　一晃眼十年过去了，马提亚斯早就经历了社会的“改造”，成为了普世意义中的“正常人”，不仅如此，他还结交了一位漂亮的女朋友。这一天，他带着女友重新返回故乡小镇参加嘉年华活动，哪知道在这里，他和杰罗尼莫重逢了。压抑已久的感情火山般的爆发了。

简介：刚刚踏入社会的英国青年科林·克拉克（埃迪·雷德梅恩 Eddie Redmayne 饰）不顾家庭反对，将满腔热情投入自己热爱的电影事业之中，希望能闯出一番天地。勤奋的他得到的第一个跟组机会，竟是担任他的偶像劳伦斯·奥利弗（肯尼思·布拉纳 Kenneth Branagh 饰）导演并主演的新片《游龙戏凤》剧组的第三助理导演。这部电影邀请了当时红遍全球的美国影星玛丽莲·梦露（米歇尔·威廉姆斯 Michelle Williams 饰）主演，而科林的工作便是统筹剧组的各项杂务。开拍之后，梦露与劳伦斯·奥利弗之间因表演方法不同而产生了激烈冲突，致使剧组进度远远落后预期。科林负责于当中调停，他开始与梦露频繁接触。不知不觉间，科林发现自己已为梦露的魅力所深深吸引……　　米歇尔·威廉姆斯凭借本片荣获2012年金球奖最佳女主角（喜剧音乐类）。

简介：

添加由高飞饰演的神医赖药儿，廖丽玲饰演的蓝公子。。。

简介：当一对陷入困境的夫妇逃到他们的乡村农舍共度周末时，他们意识到他们挽救婚姻的能力将真正决定人类本身的命运。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.