烽火芳菲

简介：

 无情的法律，打破了个别“文化人”用不正当行为发财的美梦。

简介：

　　艾斯米拉达（玛琳·奥哈拉 Maureen O'Hara 饰）是一位善良而又迷人的吉普赛女郎，巴黎圣母院的神父克洛德（托马斯·米切尔 Thomas Mitchell 饰）在内心里被她迷得神魂颠倒。卡西莫多（查尔斯·劳顿 Charles Laughton 饰）是教堂的撞钟人，他天生生得一副丑陋异常的容貌，没有人愿意多看他一眼。
　　神父指使卡西莫多将艾斯米拉达绑架至圣母院，计划却被上尉菲比斯（艾伦·马歇尔 Alan Marshal 饰）扰乱。菲比斯救了艾斯米拉达，得到了她的芳心，可是之后菲比斯遇袭，艾斯米拉达却站到了被告人的席位之上。按照法律艾斯米拉达即将被判处绞刑，然而却是卡西莫多救了她。前者将她藏到了圣母院中，渐渐的，艾斯米拉达在卡西莫多丑陋的外表之下看到了一颗真挚而又善良的心。

简介：影片《白衣战士》的故事发生在解放战争时期，国民党反动派撕毁了停战协议，大举进攻解放区。解放军某部的野战医疗队女队长庄毅（于蓝 饰），奉命护送伤员们转移。伤员们群情激愤，纷纷要求归队杀敌。庄毅说服了要求归队的朱连长，率领着同志们转移。途中，遇到了敌人飞机的轰炸，庄毅奋不顾身地抢救伤员，自己因此负伤。她在身体尚未恢复健康的情况下，带伤给伤员做手术，抢救了伤员的生命，自己却累倒在手术台前，使伤员们深受感动。

简介：一幫劫匪在打劫珠寶店後，留下一個寫着 法蘭克 的塗鴉，令公眾對這幫匪徒的行事動機很感興趣，到底他們有甚麼話要說呢？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：NetFlix新上架西班牙惊悚片，讲述了一名公司CEO意外遭遇车祸，因而度过了人生中最糟糕的一个夜晚....

简介：该片讲述了一位深漂女孩白梦梦，十年后重新踏足深圳，看着周围的楼宇街景，回想起十年前在深圳的奋斗历程和情感纠葛历历在目。影片以回忆的形式展开，不同主人公之间，不同的初心，让他们面对内外的压力与冲突，有截然不同的的承受能力。城市里无数年轻男女，在以各自不同的方式，挣扎着属于自己的未来。，影片穿插现实中各行业的“深漂”族代表，有企业家、白领阶层等等，每个人在回首来深的这段经历，感受都各不相同。正如该剧编剧万敏所言：“这部电影有你或许没看过的深圳独特景色，有你或许没见过的环肥燕廋、人情世故，有你或许没有体验过的的世态炎凉和草根小人物可怜的宿命。”

简介：

1923年，日本秋田县大馆市天降大雪，近藤家纯种秋田犬产仔，赠与县土木科长间濑。后者将其中一犬转赠东京帝国大学教授上野秀次郎（仲代达矢 Tatsuya Nakadai 饰）驯养。上野的独生女千鹤子对此欢欣鼓舞，而上野夫妇却面露难色。后来，千鹤子（石野真子 Mako Ishino饰）谈恋爱，竟怀了男友的孩子。男友专程登门造访。上野与之对谈，后者诚惶诚恐，坦言要对其女儿负责，事不宜迟，即日便举行婚礼，上野闻听此言，转怒为喜。千鹤子出嫁后，上野旋即把全部的心血与爱都投注在幼犬身上，并取名为阿八。每日上下班，阿八必在涩谷车站等候，一年四季，风雨无阻，令路人叹为观止，成为地方一道风景，主仆之情感动天地…… 　　本片根据真实事件改编，为1987年日本票房冠军，票房成绩高达54亿日元。

简介：

曼托亚是一位生活在莱索托的80岁寡妇。她知道自己时日无多，开始为自己的葬礼做准备，向她的人生彻底告别。然而此时，她的村庄因水库建设，面临着被迫搬迁的命运。这点燃了曼托亚的生存意志。为了家园，这位将死的老妇将抗争到底。

简介：

　　在母親罹患胰臟癌末期後，大提琴老師鐘宜的日子便在授課與醫院中往返。一日因看護請假，她不得不親手幫母親換尿布及清理排泄物。在女兒面前尊嚴盡失的鍾母、在母親面前無所適從的鍾宜，這對母女終究因為內在的惶惶不安，在病房內掀起一場風暴⋯⋯

简介：雷纳德（马克·里朗斯 Mark Rylance 饰）是一位手艺精湛的裁缝，一场火灾之后，他离开了伦敦，来到芝加哥，在这里经营着一间属于自己的裁缝店。店里的员工除了雷纳德自己外，还有一个名叫梅布尔（佐伊·达奇 Zoey Deutch 饰）的姑娘，梅布尔的父亲是一个臭名昭著的恶棍，背负着父亲的“盛名”，梅布尔下定决心要攒够钱，去看一看这个肮脏黑暗的街区以外的世界。　　一天深夜，黑帮大佬罗伊（西蒙·拉塞尔·比尔 Simon Russell Beale 饰）的儿子里奇（迪伦·奥布莱恩 Dylan O'Brien 饰）和他的副手弗朗西斯（强尼·弗林 Johnny Flynn 饰）闯入了店中，里奇身受重伤，在弗朗西斯的威胁之下，雷纳德处理了里奇的伤口，将他从死亡线上救了回来，但与此同时，他也被卷入了这个黑帮家族的纷争之中。

简介：

斯坦顿（布莱德利·库珀 Bradley Cooper 饰）是一个穷困潦倒的男人，误打误撞之中来到了流动马戏团，在这里，他凭借着自己的聪明才智为自己某得了一份差事——为塔罗牌占卜师赞娜（托妮·科莱特 Toni Collette 饰）和她的情人皮特（大卫·斯特雷泽恩 David Strathairn 饰）工作。从这两个人身上，斯坦顿学会了如何依靠巧舌如簧和敏锐观察来施展观众们眼中的“魔法”。 　　与此同时，斯坦顿还在马戏团里邂逅了名为茉莉（鲁妮·玛拉 Rooney Mara 饰）的女孩，随着时间的推移，斯坦顿和茉莉之间产生了感情。最终，斯坦顿带着茉莉离开了马戏团，他们坚信他们能够靠自己的双手打开一片属于他们的天地。一晃眼多年过去，虽然斯坦顿在占卜圈已经小有名气，但他并不满足，渴望更多的金钱。此时，一个名叫莉莉丝（凯特·布兰切特 Cate Blanchett ...