聽不見的世界只有寂靜無聲嗎？《明晴學園的寂樂青春》記錄的明晴學園位於東京品川區、創立於2008年，崇尚教育的多元化，不強迫學童小小年紀就去融入所謂的「主流社會」，而是鼓勵他們「聽不見並不會低人一等，只是體驗一個不同的世界」，所以在這邊，不走傳統啟聰學校以口語和讀唇教學的路線，而是以手語來教學。 在片中，幼稚園的小女生，透過手語表達她想要的各種動物貼紙。在老師的理解下，她拿到了她想要的貼紙，她從中學會做選擇、學會表達需求，也感受到被老師理解；小四學生們透過手語啟發對大自然的讚賞，用手語歌詠春天的美好感受，小手飛舞加上豐沛表情，也成了一行行美麗的詩；小六的學生，透過手語設計寫信活動，表達對畢業班導師的感謝，讓老師忍不住感動落淚；國中女生則在午餐時，調皮地討論要給老師一個小小的惡作劇。
有人，在面对恐慌和未知时勇敢拉响警报；有人，在举步维艰的条件下与死神争分夺秒；有人，在困境中守望施援，重唤人们对美好与希望的向往。在武汉——这座英雄之城，每个人都在努力做对的事，以他们的真心、无畏和正直，助力打赢这场疫情防控的人民战争。新华社记者勇闯“红区” ，60多位记者“疫”线拍摄。首部武汉战疫2个月全景纪录片，一部感天动地的中国抗“疫”群英谱。
来自重庆的雷敏和成都的媛媛结伴从新疆叶城县国道219零公里处出发直奔2500公里外的目标西藏拉萨，骑行去拉萨的念头源于22岁的女孩雷敏，雷敏家庭并不富裕，大学毕业的她却毅然辞掉了工作骑行去拉萨。
Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.
四名体重超过 400 磅的壮汉争夺阿诺大力士经典赛的冠军头衔。本片一窥他们从准备到实际参赛的人生经历。
電影《變態者意識形態指南》是由斯洛文尼亞的哲學家、拉康精神分析專家斯拉沃熱‧齊澤克編寫劇本及主演、由蘇菲‧費因斯(Sophie Fiennes)執導。如齊澤克的另一部《變態者電影指南》一樣，它透過穿梭於著名的電影場景之間來勾勒出一個理解藝術和世界的精神分析理論框架，是某種意義下一部「紀錄片」。
该片主要通过和凤鸣老人的叙述，记录了中国从20世纪40年代末到90年代，一个个体经历的漫长历程
