讲述1945年日本投降后，被关押在战俘营的男子与自己的妻子怀抱着对爱的坚持，期待重逢的故事。

Russian sociologist Maxim Shugalei and his colleague interpreter Samer Suifan are still imprisoned in a Libya. For more than a year now they tortured and psychologically abused. Nevertheless while imprisoned, Maksim Shugalei continues to work trying to understand the logic of the global terrorism actions. Collected by the sociologist information is dangerous for the Lybian mili...

毛泽东下井冈山后，经过二月来信、赣南会议、宁都会议三次被排挤直至解除兵权，在他人生最低谷的时候，不计个人得失，一次次挽救红军和中央苏区，他不辞辛劳在寻乌、长冈、才溪调查研究，终于为革命的胜利指出方向。

　　短片合集，多位瑞典导演合作，包括Jorn Donner、Vilgot Sjoman、Gustaf Molander、Lars Gorling这样的新浪潮主将，纪录与剧情短片都有，彩色+黑白，老将带新人模式，实际伯格曼那部爱情的感觉一般，不过其他几部很好。7/10，推荐喜欢新瑞典电影的人看。
　　“Stimulantia” is a series of shorts made by famous Swedish directors like Ingmar Bergman, Vilgot Sjoman (I’m curious - yellow), Gustaf Molander - who has Ingrid Bergman in this one - and a few others. And.. It also has a ferrari and a fan walking in Chaplin’s neighborhood and shouting questions when he sees him. There are no subs for this one, and it’s in Swedish. I don’t have a clue what its about. But hey, who does. nd who needs to when you mix nudity, Bergman, Chaplin, Ingrid and a Ferrari in the same movie.

May 1945: the end of the Second World War in the Tyrolean Alps. SS man Anton has deserted and been shot. On the run from his unit, he swaps his SS uniform for that of a dead Wehrmacht soldier and discovers a lonely mountain hut. Hannah, a Jewish woman, is hiding here. She takes Anton in and tends to his wounds.
　　But there is great mistrust between the two. Together they cope with the harsh everyday life in the remote hut. They are looked after by 16-year-old peasant girl Charlotte, whose family pays Hannah not to betray them. And at night, they hear fighting between the German troops and Italian partisans. Over time, a cautious familiarity develops between Anton and Hannah - he, who has done terrible things in the war, she, who has lost her family and has been struggling with fear and loneliness up here in the mountains for months. They grow closer. Hannah finds out that Anton was no ordinary soldier. He was in the SS, a man of conviction, at least at first. Brutal truths come to light. The war is as good as over, but what kind of future awaits them?
　　Georg turns up at the hut: He's been looking for Anton, hunting him down. He was the one who shot Anton - his best friend. Georg is fighting a battle that has long been hopeless, driven by hatred and the will to destroy. And he also wants to kill Hannah. High in the mountains, the decision is made.
　　The Deserter is a story about war and guilt, but also about helpfulness and humanity.

　　The story of a platoon during the Korean War. One by one Corporal Denno's superiors are killed until it comes to the point where he must try to take command responsiblity.

回望历史所带来的震撼，它让我们牢记：中华儿女只要万众一心，就能抵御一切来犯之敌，就能实现屹立于世界民族之林的中国梦。

电视电影电影频道节目中心2002年出品 　　编剧：夏泊 　　导演：李永民 　　主要演员：贾致钢、邵峰、李雪 　　抗日战争时期，山娃一家三口平静地生活在太行山中。一天，日本兵在山口修起了炮楼，这使得山娃一家忧心忡忡。果然，平静的生活很快被打破了，日本兵发现了狩猎的山娃，便向他开了枪，子弹穿透了山娃的一只耳朵，差点就要了他的命。这使得无辜的山娃心中忿忿不平：狗日的日本兵为什么拿人不当人，竟对着大活人开枪呢？倔强的山娃一定要出这口憋在心中的恶气。他不顾老婆的劝阻，天一亮就来到炮楼对面高声叫骂且鸣枪示威。这一下激怒了炮楼里的日本兵，他们几番追到山里，终于找到了山娃的家。日本兵们残忍地杀害了山娃的老婆和孩子，山娃却侥幸逃命。从此，山娃在跟爷的帮助下和日本兵们展开了殊死的战斗。山娃智慧、无畏，以少胜多，给侵略者以沉重的打击，一个普通的山民在斗争中已经成长为自觉、勇敢的抗日战士，...

根据周梅森中篇小说《军歌》改编。 抗日战争初期，日军在几次大战之后，俘获了大批中国战俘。这些战俘中有当时的中央军、杂牌军，还有少数八路军。他们被一起押进了日军建立的“第九死亡营”。中央军的老侦察兵田德胜、刘子平与八路军的骑兵营长孟泽新、战士章德龙一起被关进了四号班房。在四号班房中，以川军营长老祁为首的一批战俘，正在秘密筹划冲出死亡营。他们利用在煤矿井下劳动的机会，不断寻空进入一些老洞子去摸路，期望能找到一条可以逃走的出口。与此同时，以孟泽新为首的一批战俘也在准备越狱，双方虽是同一目的，却互不信任，各行其是。死亡营司令官龙泽寿是个凶狠而又狡猾的日军少佐，为了给侵华日军提供更多的煤炭，他不仅指派汉奸来对付战俘监工，还在战俘中寻找告密者。不久，老祁被汉奸告发了。龙泽寿集合起全营战俘，放出狼狗将老祁咬得血肉模糊。游击队为了营救死亡营中的全体战俘，派张麻子混进...

1944年，纳粹发起的第二次世界大战接近尾声，为了能体面地结束战争，纳粹集结巴尔干半岛的A军团北调，妄图阻挡苏联红军南下。同时纳粹推出了“劳费尔计划”，即掠夺萨拉热窝丰富的燃油资源供应装甲部队。纳粹为实现劳费尔计划，将党卫军上校芬迪特里士派往萨拉热窝，全力消灭瓦尔特（Velimir 'Bata' Zivojinovic 饰）领导的当地游击队。芬迪特里士令间谍假冒瓦尔特，在叛徒的内应下，假瓦尔特与几名真正的游击队员组成抵抗委员会，并得到游击队员名单，诱杀了众多抵抗组织成员。真正的瓦尔特由于作战需要无法公开身份，但凭借个人出色的谋略与众多英勇的游击队员终于让间谍现出了原形。为了阻止劳费尔计划，清除了内奸的游击队员们再次出击。

1940年“百团大战”中，晋察冀军区一分区司令员杨成武率部在涞源县东团堡，一举消灭了日军170多人的教导大队，取得了攻坚战的胜利。日军重新占领东团堡后，在村头为日军阵亡士官立下一座石碑，并在碑的两面用日文和中文刻下一首《长恨歌》。诗中用“一死遗憾不能歼灭八路军”，以示日军抱恨战败来源东团堡。侵华日军在河北涞源的东团堡设立了一个特殊的据点，实为日军的一个教导大队，有学员170人，都是战斗经验丰富的日军军官和武士道精神十足的士官。他们装备精良，弹药充足。据点所处地势险要，易守难攻，是周边地带日军据点中一块难啃的骨头。杨成武在“百团大战”井陉战役进入尾声后，就盯上了东团堡这块硬骨头。 　　这个被聂荣臻司令员笑称为“好战分子”、“三天不打仗手就痒痒”的指挥员，作战计划一经批准，就马不停蹄的奔赴前沿阵地察看地形，召集营以上干部研究攻坚计划。东团堡据点里，日军新旧大...

　　The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
　　Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!

电影《我的上高》以上高会战为背景，再现了上高会战时期，上高普通民众支援抗战、痛击日本侵略者的一段感人故事。闻名中外的“上高会战”又称“上高战役”或“锦江会战”，被称为是上世纪抗战以来最精彩的一战：1941年3月，驻南昌的34师团大岛茂因友邻第33师团预定要调到华北，要求33师团走前配合自己扫荡周围的中国军主力，却因两个师团严重不配合导致34师团扎进4个中国军的合围圈，是为“上高战役”。中国军队统计击毙日军大佐联队长滨田以下日军15000余人，日军自报伤亡千余人。

　　1982 奥斯卡最佳外国语影片： 匈牙利导演萨博
　　本片以德国现代戏剧史上最伟大的演员格斯特夫.古鲁丹斯真实的一生为依据电影《摩菲斯特》描述了一个在二战中与德国人委曲求全合作的演员，最后仍被德国人抛弃的故事。片名“摩菲斯特”本意就指的那些与魔鬼合作的人。主人公在心理上自始至终处于卑微懦弱的地位，虽然德国人也给了他很多的荣耀，但这仍无发改变其事实上和心理上的犹太人身份，但这一切并未得到深刻的体现。终于，在影片结尾处得到了一切都爆发出来，这也是本片的高潮。