1944年，纳粹发起的第二次世界大战接近尾声，为了能体面地结束战争，纳粹集结巴尔干半岛的A军团北调，妄图阻挡苏联红军南下。同时纳粹推出了“劳费尔计划”，即掠夺萨拉热窝丰富的燃油资源供应装甲部队。纳粹为实现劳费尔计划，将党卫军上校芬迪特里士派往萨拉热窝，全力消灭瓦尔特（Velimir 'Bata' Zivojinovic 饰）领导的当地游击队。芬迪特里士令间谍假冒瓦尔特，在叛徒的内应下，假瓦尔特与几名真正的游击队员组成抵抗委员会，并得到游击队员名单，诱杀了众多抵抗组织成员。真正的瓦尔特由于作战需要无法公开身份，但凭借个人出色的谋略与众多英勇的游击队员终于让间谍现出了原形。为了阻止劳费尔计划，清除了内奸的游击队员们再次出击。

　　阿蒂姆（阿利·巴凯 Ali Barkai 饰）的父亲在战争之中死去了，十六岁的阿蒂姆拿着一把手枪，决定群寻找并且杀死自己的杀父仇人。怀揣着满心的仇恨，阿蒂姆来到了仇人纳萨拉（尤苏夫·约罗 Youssouf Djaoro 饰）所在的城市，此时的纳萨拉早已经成家立业，并且经营着自己的面包房，每天，他都会将卖剩下来的面包分给附近穷苦的孩子们，俨然一副老好人的模样。
　　为了接近纳萨拉，阿蒂姆隐瞒了自己的真实身份，作为学徒来到了纳萨拉的面包房工作。纳萨拉非常喜欢聪明肯干的阿蒂姆，将自己的本领毫无保留的传授给他。随着时间的推移，阿蒂姆和纳萨拉之间渐渐产生了亲情。

　　La storia del film, che riflette le vicende personali di Tini, racconta una nuova fase della vita della ragazza in cui diventa indipendente e si lascia alle spalle il mondo della serie Tv.

　　A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

　　一个女人遇上了她投胎而来的前世爱人

　　1989年印尼西爪哇省，憤怒青年阿久四處找人挑釁較量，只為證明自己的陽剛男子氣概，藉以掩飾羞恥的性無能。直到他遇見帥氣剽悍的功夫女保鑣苡登，不打不相識的相遇，折服不只衍生愛意，亦蔓延出恐懼。一首首情歌勇於表白真心、一張張烘焙紙傾訴情意，阿久是否能回應苡登的心情，找回自己的平靜？而兩人所需克服的，還有更巨大的創傷過去……。