两支专家团队不遗余力，在野外研究鲨鱼科学。他们调查了两项最具象征性的鲨鱼超能力—速度和咬合力。在加州，安迪卡萨格兰德试着找出世界上最快鲨鱼的最高速度。

　　南印的一對情侶波曼和貝莉致力照顧孤兒小象拉古，組成一個獨一無二的家庭。

　　踏入廿一世纪，凡事都较过往以理性、科学、事实为本，要为离世人士代言，更要讲求证据与专业。陆永联同主持拍档陈欣茵、黄子桐，从法医学的角度，细述一个个经典死亡个案的勘察过程，对多种离奇死亡事件的原因加以讨论。收集当中每一个细微的结果，希望达到破解个案的同时，也可传递法医「为生者谋权，为逝者代言」的职业精神。

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

　　一间性健康公司推广「高潮冥想」练习，收获广大名气与拥护者，直到学员公开提出令人心惊的指控。

　　An inspirational story honoring the life and legacy of Hollywood legend, Sidney Poitier. Sidney premieres September 23 in theaters and on Apple TV+.
　　From producer Oprah Winfrey and directed by Reginald Hudlin, this revealing documentary honors the legendary Sidney Poitier and his legacy as an iconic actor, filmmaker and activist at the center of Hollywood and the Civil Rights Movement. Featuring candid interviews with Denzel Washington, Halle Berry, Robert Redford, Lenny Kravitz, Barbra Streisand, Spike Lee and many more, the film is also produced by Derik Murray, in close collaboration with the Poitier family.

　　估值10亿美元的150件展品，一场横跨欧美大陆的盛大巡展，在埃及法老图坦卡蒙之墓重见天日100周年之际，纪录片《图坦卡蒙之墓：最后的展览》记下了即将关闭在身后的世界。
　　1922年，英国的卡那封勋爵和考古学者霍华德·卡特发现了尘封3000年的图坦卡蒙墓，摄影师哈利·伯顿在现场拍摄了精彩的黑白照片，还原陵墓发掘过程；加上当代摄影师桑德罗·瓦尼尼的海量高清照片，充分呈现墓中令人惊叹的5400多件物品。这是考古史上发现的陪葬品最为丰富的埃及陵墓，金面具、护身符、陪葬床、安度冥河的船只、护卫军队……这像是浩大兵器库与华丽妆奁的合体，陪伴着法老的永生之旅。
　　图坦卡蒙9岁成为法老，却在19岁那年暴毙，很快湮灭在历史的长河中；当3000年后霍华德·卡特念出图坦卡蒙的名字，就仿佛从未知世界召唤回了他，赋予新的生命。如今法老王启程前往来世，分享旧日见闻，就让我们跟随镜头，伴随他的世界巡游。

　　小乌利想成为海盗或教皇，但她绝不想适应巴伐利亚村庄的角色刻板印象。 父亲去世后，母亲将他的“秘密”盒子作为遗产交给了她。 这些内容突然改变了她对父亲、她自己、她的家庭和她成长的社会的看法。
　　一个关于巴伐利亚省家庭秘密、性别角色和童年的真实故事 - 通过动画和纪录片图像讲述悲喜剧过山车。

Japan’s textbook examination system is meant to allow non-government entities to freely create textbooks in alignment with the country’s criteria, but there is actually a lack of freedom. Some invisible pressure is applied through the government’s authority, forcing textbook production to follow their wishes.In 1997, military comfort women were written about in all middle school history textbooks, but right-wing politicians heavily rallied against this. One long-established publisher was attacked, and it eventually went bankrupt for writing about the damages inflicted by the Japanese army in detail.As political pressure grows, there are even plans to rewrite the terminology of history based on the Japanese government’s point of view. Political interference in textbooks is growing. This film documents how the government’s destruction of textbooks, academics, and education has progressed, based on testimonies by politicians, textbook writers, teachers, and other involved parties.

讲述了一群三人篮球运动员参加国家队选拔，追逐奥运荣誉和个人梦想的故事

　　一档原创情感纪录片，一部关于他们真实约会的纪录片，它真实记录当下不同城市、不同背景、不同性格的单身男女，他们带着期盼与勇气，开启现实生活中的一次次邂逅，真实对话，勇敢追爱。在此过程中，也将看到他们各自的情感议题，对于构建亲密关系的困境、观念碰撞。面对爱情，照见自己，收获成长。

　　解剖学发明以来，人体奥秘开始为世人所知所见。然而，大家习惯的始终是那副最表面的臭皮囊，或留恋或厌倦，或拥抱或憎恶。假如能深入体腔，即时观察微肌细理，体液流动，可会了悟个中奥妙，那欲肉不为肉所欲的真义？得到医院前线及技术人员协助，韦莲娜柏丽芙与路西安卡斯当泰来再现了内窥和 微创手术的影像，辅以病人和医护的生活点滴，让作为关怀、痛苦、希望和被宰制场所的身体，成了光影景观的主角。血肉不再模糊的结果，可会对人文多一份凝视？

　　皮娜·鲍什是世界上最伟大的现代舞编舞者之一，在皮娜逝世十年后，她的两部经典舞蹈作品《在陶里斯的伊菲革涅亚》和《春之祭》分别交给两个舞团重新诠释：德国德累斯顿的森佩尔歌剧院芭蕾舞团和非洲塞内加尔萨布尔斯学院，由皮娜舞蹈团的前舞者指导。德国纪录片导演弗洛里安·海因曾·齐奥布在德国、塞内加尔，记录下了两支舞团的排演过程和最终成果。期间透过对舞者们的采访，侧面展现皮娜舞蹈对他们个人精神的改变。影片结合皮娜生前的历史影像，打通艺术与生活、历史与现在的壁垒，无形中将“做自己”的皮娜精神传递至银幕上下的所有人。