Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

　　生活中你会有哪些习惯，你会成为这些习惯的奴隶吗？三位挑战者，将在6个星期内尝试改变自己的坏习惯。改变习惯，哪些方法可行，哪些方法不可行，人们到底能不能抵制这种诱惑。

　　This is a story about people in love with cinema, and a country going through its most difficult times. A group of friends, who met sometime ago in a movie theatre, get together to see one of them off to Belgrade. So their journey begins: from personal memories to the remembrance of their country, out of a small dark room to the mystery of Kiev's night. Their last stop - the farewell party where reality and cinema once again become a single whole.

　　由伊桑·霍克指导的关于古典钢琴家、作曲家、作家、教师和圣人西默·伯恩斯坦的纪录片。

　　影片讲述了中国早期摇滚人侯牧人的女儿侯祖辛，带着导演身份诚挚纪录中国摇滚人三十年来的沉浮与坚持。是父亲也是主角的侯牧人身患脑梗，这种病会反复发作，使肢体瘫痪或眩晕，严重的会导致急性昏迷，甚至死亡！可怀揣着摇滚音乐人的执着和热血，侯牧人奇迹般的坚持了下来。
　　影片结尾时，侯牧人唱起他在脑梗后写的第一首歌《像个傻逼一样的活着》时，台下观众泪流满面，就连一向沉默寡言的张楚也流下了泪水。当老炮们听到那些音乐，想起那些往事的时候，重燃心中的情怀，正应了片尾的那句话：“老去的只是身体，而非灵魂”。

　　Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.

　　A look at the life of the legendary Rhythm and Blues musician, James Brown, from his early years in South Carolina to his efforts during the Civil Rights movement.

　　Nova's examination or how thousands to terra cotta soldiers in Qin dynasty's terra cotta army were created digresses into reviews of Qin history and technology.

　　丝棉缠绵，正蓬鬆扩张的，不只是棉花，还有整个中国。
　　硬铁路串起软棉花生产线，从边城棉田到城市加工厂，一粒新疆的棉花种子如何成为美国时尚舞台上正伸缩跃蹬的牛仔裤？纪录片视线紧贴产业链，第一线直击，由棉花的种植、採摘、纺织、製衣，而至销售出口，目睹中国棉花产业之全貌，直探棉花覆盖下各式产业相关人士生活，无论棉农、纺织女工、中盘商、大宗出口。棉花活儿从来不简单，指上柔软蓬鬆，日子要怎麽硬挺才能过去，一团棉花揉出千百种生活型态，耗时八年，银幕上呈现今日中国棉花史，也是一页农工生活史。
　　「在中国，与棉花这条生产链相关的人数以千万计，我们解读棉花，也想从中解读『中国製造』之于中国普通人的意义。」──周浩

　　David the filmmaker is 40 years old, but he still doesn't feel like a man - not a real man anyway. When his wife becomes pregnant with a boy, David's manhood insecurities deepen. How can he bring his son into manhood if he feels so estranged from his own? This question sets him off on a quest for his manhood that leads him from voice lessons to a men's group to deer-hunting, and ultimately back to his own father. My Own Man is an intimate, humorous, and emotional account of one man's search for what it means to be a man and a father in the 21st century.

　　2008年以后，国内外媒体进入西藏受到严格限制。
　　2014年，我们趁12年一次朝圣年的机会，入藏采访当地最新情况。
　　从公元前至今，受西藏人崇拜的冈仁波齐，是耸立于印度、尼泊尔和中国边境附近，海拔6656米的神山。
　　本片沿从拉萨到冈仁波齐转山的旅程，记录因开发而急剧变化的拉萨市内及沿路村镇景象，介绍鲜为人知的西藏最新面貌。

　　Korengal picks up where Restrepo left off the same men, the same valley, the same commanders, but a very different look at the experience of war.