「无论何物，出于自然的创造，都是好的，一经人手，便弄坏了。」不管有否读过《爱弥儿》，当镜头对准尚未被「污染」的孩子，随着和师长的互动、孩子间的交流，观众可会领略纯真的无限可能？露芙柏克曼继《好色情荼毒室》再施展直接图像魔法，被拍者不再排排坐，而是跳跳扎，出入各式课堂——算术、劳作、宗教、游泳、性教育……不一而足。尽管教育资源严重不足，在老师悉心培育下，廿五名多种族新移民小学生的三个学年，充分彰示成长何谓，教化何为。

A celebration of a community of Argentine cowboys and cowgirls, known as Gauchos, living beyond the boundaries of the modern world.

What good is freedom if you can’t afford it? As the Berlin Wall tumbled across the Eastern Bloc in the 1990s, it drew aside the Iron Curtain’s repression and physical containment of Hungarian citizens. The borders to the rest of Europe, and indeed the world, were now open—but only for those who could afford the extraordinary cost of travel. With nothing to lose, three young tricksters happen upon the fact that the distinctive blue ink used on international train tickets allows for easy forgery. Soon, these accidental kingpins of a capitalist syndicate find themselves caught in the wheels of an old-school communist police investigation. Droll animation tells the little-known story of an unlikely gang that valiantly tripped open the West for a new generation. Watch incredulously as the cops crack the scheme but not the youthful spirit of self-determination in this comical tale.

拉斯·哈马尔从工作了40年的教师岗位上退了下来。然而这位曾经充满活力的老人却变得愈发消极与无精打采。为了帮助拉尔斯重新找回生活的热情，他的儿子菲利普和最好的朋友弗雷德里克决定一起带上拉尔斯，驱车前往父亲最爱的法国，展开一场别开生面的公路之旅。

曾获奥斯卡提名的1976年的纪录片《风中人》描绘了伊朗游牧民族巴克特亚里人的大迁徙，哈贾尔在片中只是一个小姑娘，如今55岁的她依旧热爱纯粹的游牧生活，因而拒绝搬到城市，但是家庭纷争、气候变化、城市化进程等问题时刻困扰着她。新晋伊朗导演马尔扬·霍斯拉维以拍摄妇女形象和社会问题见长，她执导的多部优秀作品在阿姆斯特丹国际纪录片电影节、弗里堡国际电影节等节展入围或得奖，本片依旧是对女性面貌的挖掘，新旧影像跨越时空彼此呼应，发人深省。本片在本届上海国际电影节为世界首映。

Marianela Maldonado’s observational documentary charts nine years in the lives of young Venezuelans whose musical talent offer a chance for them to escape poverty.
　　In the heart of the city of Valencia lies the neighbourhood of Las Brisas. Crime and poverty dominate daily life, but for Dissandra, Edixon and Wuilly there is an opportunity to break away. ‘The System’ is a state-funded orchestra programme that gives young talent of limited means a hopeful future. However, as the years pass, the children face new obstacles and when their dreams are almost within reach, Venezuela’s economic instability could jeopardize everything. Maldonado’s film skilfully balances intimate portraits of its subjects with a more expansive overview of a country reaching breaking point.

《宵夜江湖第 4 季》延续前作风格，走进宜宾、义乌等八座城市，寻访本土美食大咖的手艺。镜头里有宵夜的鲜香，有地道的人情，更有市井生活里日常又传奇的故事。

宵夜最能抚慰人心。主创以漫游者的视角穿过炊烟，触摸城市肌理 —— 街角摊主多送的一勺卤汁，家人围坐时锅中的热气，都是烟火里的踏实幸福。有人为你留灯便是安心，舌尖江湖能落脚成家便是归心。

这趟烟火旅程不只是味觉盛宴，更是对家庭与幸福的温柔叩问。深夜被食物点亮的瞬间，藏着中国式生存智慧与爱的传承。

在彼得·克雷克斯最新作品中，充满了一种错失缘分的魅力和人间的欢乐。资深电影制作人及混合形式的大师彼得·克雷克什（Peter Kerekes）巧妙地将故事片的电影感与真实人物的真实情感结合在一起，展现了非凡的才华。

罕见影像与独家专访，揭示了传奇歌手兼词曲创作人胡安·加布里埃尔的天才、牺牲，以及他在公众生活与私人生活之间的双重性。

The doc, which is being produced by Two Rivers Media, will feature an interview with Lasker-Wallfisch, revealing how, despite living in the most brutal and dehumanizing of situations, prisoners were secretly composing music whilst in the camps.

Stressed? Burnt out? You’re not alone! With black humour and biting irony, we get the incredible story of how modern working life became its own worst enemy – and what we can do to change it.
Burnout, endless meetings and colourful Post-It notes with empty marketing phrases have hijacked meaningful work. How did we get there? Based on a sabotage manual developed during World War II, John Webster’s wildly entertaining and deeply upsetting film demonstrates how modern work has become a monster that devours itself – and everyone else around it. Without losing sight of the system’s human toll, the film speaks directly to a current agenda about how and how much we should actually work. And fortunately for all of us, there actually is a solution. At the heart of the film, we sit in with a group of successful business people as they come together to share their stories of burning out – and how they got on in life. Most people will no doubt be able to relate to much of ‘The Happy Worker’, and have a good, much-needed laugh about how it got this far.

A Goalkeeper in Danish football team that won the European Championship against all odds in 1992 and captained Manchester United in the Champions League final victory that clinched the treble in 1999.

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

西班牙北部阿斯图里亚斯地区有着500多年历史的口述传统，由民谣、民间传说等组成，靠当地妇女凭记忆代代口口相传。随着时代发展、移民和价值观的变迁，这一经典文化不得不迎来最后一代继承者：康斯坦丁娜和艾琳。玛塔·拉拉纳自编自导的第二部长片，模糊剧情片与纪录片的界限，通过西班牙知名音乐人劳尔·雷弗瑞追寻口述传统的视角，走进这两位继承人的生活现状，用黑白影像保留下这一“看不见、听得着”的历史文化。口述民谣贯穿全片，在云遮雾罩的山谷美景映衬下，平添了几分空灵厚重感。

《公園》 — 兩位印尼詩人相約在夜裡的台南公園會面，各自將白天在這座公園裡，與印尼同胞們的相遇、相處等所見所聞所感，譜成詩歌，發想成計畫，於夜裡吟唱、想像、行動⋯⋯。白日採集，夜裡釋放，像一則古老的影像寓言，但我們始終見不到他們所說的白日種種，只能任夜裡的話語，投射出面貌不一的形象。漫漫長夜有訴不盡的故事，說故事的人也變成了故事的一部分。