时间之旅

　　第三季区别于前两季，首次从中国海洋与海鲜入手，捕捉海中鲜物的独特节拍与极致美味，打造中国海鲜风味指南，满足美食爱好者对海鲜食材的好奇心。
　　同时，360度全景勾勒中国海洋的壮美辽阔，展现一群依海而生的劳动人民的日常生活，讲述九州大地上动人的鲜活故事。

　　The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
　　Part 1 comments on:
　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
　　■"Konkurs" ("Audition," 1963) by Miloš Forman
　　■"Křik" ("The Cry," 1963) by Jaromil Jireš
　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček Jan Schmidt
　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár Elmar Klos
　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
　　Part 2 comments on:
　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
　　■"Stud" ("Shame," 1967) by Ladislav Helge
　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
　　■"322" ("322," 1969) by Dušan Hanák
　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

2020年，当世界还处于停滞状态，此时的中国，武汉街头已经恢复了昔日活力。南京马拉松参加人数：1万人；火爆的直播带货，线上购物；万人的武汉工厂，零人感染，产值翻倍；这些中国企业，如何在严格防疫的同时，做到逆势爆发？日本纪录片导演竹内亮，走近中国的后疫情时代。 　　Japanese documentary director Takeuchi Ryo recently got an email from his Japanese friend, asking about why there hasn’t been a second wave of pandemic in China. As a Japanese living in China, he realized, not only China has gotten the pandemic under...

　　Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.

　　纪录片描写热爱裸体与大自然生活的族群，真实贴近人性的描绘，于蒙特娄影展、魁北克影展放映时，同样获得不少的好评与掌声，也成功引起大众对「天体营」这个社会议题哗然的高度讨论。

　　探讨我们的文化对男性气质狭隘的定义，是如何伤害我们的男孩、男人和整个社会，讲述性别暴力对男性带来的伤害和男权社会中男性从小到大所承受的隐形暴力。

And you thought your childhood was wild. Stream all episodes of Growing Up Animal, an Original Series narrated by Tracee Ellis Ross.

　　这部纪录片展现特吕弗于1966年所著的《希区柯克论电影》如何影响了后辈导演们。该片受访者包括斯科塞斯，大卫芬奇，斯皮尔伯格，韦斯安德森，林克莱特，帕尔玛，阿萨亚斯，格雷等等。

　　《与杀手对话：泰德·邦迪录像带》中通过对“美国的开膛手杰克”泰德·邦迪进行前所未闻的独家采访，首次将这名臭名昭著的连环杀手的变态思想公之于众，以一种新奇而又可怕的方式入侵观众内心世界。这部独特且扣人心弦的纪录剧集聚焦于这样一名男性罪犯，他的个性、英俊面孔、社交礼仪与连环杀手的刻板印象大相径庭，这使他能堂而皇之地隐藏在人们的眼皮底下；在 1978 年被捕之前，他曾对超过 30 名女性实施残忍的性犯罪和谋杀。受审期间，邦迪受到美国女性的疯狂崇拜，这使其可怕的罪行更加骇人费解，即便是在那个混乱动荡的年代。