Adam Rutherford meets a new creature created by American scientists - the spider-goat. It is part goat, part spider, and its milk can be used to create artificial spider's web. It is part of a new field of research, synthetic biology, with a radical aim: to break down nature into spare parts so that we can rebuild it however we please. This technology is already being used to m...
《“樹木希林”を生きる》NHK拍摄的纪录片，从去年6月到今年7月，跟拍了树木希林人生最后的一年，包括《有熊谷守一在的地方》、《小偷家族》、《日日是好日》以及遗作《エリカ38》的片场纪实。
Combining undersea exploration with innovative visualizations, DRAIN THE OCEANS reveals hidden evidence of amazing undersea mysteries. Not “artists impressions” but what is actually there — down to the very last rivet. And, for its fourth season, it embraces a gripping new style, telling stories purely through the words of explorers and archaeologists, putting viewers right by their side.
The history of New York City's Apollo Theater in Harlem is given the full treatment.
这是一部伟大的电影纪录片，拍摄于1962年, 发行于1963年，出自伊朗历史上最伟大的女诗人，哲学家及电影导演 Forugh Farrokhzad。这是她唯一传世的电影作品！是世界纪录片史中难得一见的奇葩。 此片虽然只有短短20分钟，但影片忠实纪录了伊朗一个麻风村里所有的村民的生活点滴，他们她们由于麻风病而变得相貌丑陋，但他们她们却从未放弃生活， Forugh Farrokhzad用自己手中的摄影机，用质朴感人，优美简洁的黑白影像告诉我们丑陋并不是一种障碍，只要我们别放弃生活。 人民爱戴而又有争议性的女诗人Forugh Farrokhzad 去了阿塞拜疆，拍摄了这部短片。 在Farrokhzad 以一种悲伤的低调诵读她自己的诗歌的同时，影片阴郁地展现了管弦乐下的失落村庄。 五年后, 在她已经在伊朗的写作文坛上建立了几乎传奇式的地位时,她在一次车祸中丧生，时年32岁, 从而成为以后几代愤怒波斯妇女们的女权主义的试金石。
前意大利总理西尔维奥·贝卢斯科尼畅谈他的生活，包括性丑闻、贪污审判，以及和普京的交情。
The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
作为科幻电影史上最经典的时间旅行电影《回到未来》三部曲，与《星球大战》一样都已经成为了流行文化的符号。 本片为《回到未来》上映三十周年的纪念纪录片，回忆了当年电影从拍摄起源开始的故事，并讲述了这三十年里，《回到未来》三部曲对整个流行文化所带来的巨大影响。
???? ?? ‘?? ??’ ???? ??? ???, ??? ? ??? ??? ‘?? ?’? ?? ??. ??? ???? ? ?? ??? ????? ??? ???? ??? 5?. ??? ??? ‘????’? ??? ??? ??? ?? ??? ?????... “? ?? ??? ?? XX? ?? ??” ?? ??, ?? ?? ??? ?? ?? ????? ????!
