茫茫人海，大海捞针，《寻人记》团队齐心合力，继续寻觅。当年街童去哪儿？「带子洪郎」身在何方？「投诉王」又有新冤情？明星保母已经退隐江湖？访队四出寻人，也不时「被寻人」。有当事人主动联络见面，也有观众来信求助，更有受访者委托越洋寻亲……人生就是寻寻觅觅，寻寻觅觅要花很多气 力，往往找不到，偶尔寻到宝。《寻人记II》和大家一起见证成果，体验「白果」，尝尽人生百味，寻回更多「人‧情‧味」。

　　1972年春天，警察突袭了芝加哥南部的一间公寓，逮捕了七名女性。她们都隶属于名为“简”（Jane）的辅助堕胎秘密组织，通过假名、伪装和安全屋为当时受制于堕胎禁令的女性提供安全、负担得起的地下服务。面对黑手党、教会以及政府的骚扰，这群“简的姐妹”们为最需要帮助的女性展现出了无与伦比的勇气和同情心。影片于2022年美国圣丹斯电影节首映，并且入围了美国纪录片主竞赛单元。

　　Cat experts dive into the feline’s mind.

　　大卫·贝克汉姆将参与Disney+足球节目《拯救我们的球队》(Save Our Squad，暂译)。贝克汉姆将在节目中回到他小时候踢球的伦敦东部足球场，在那里指导一支在联赛中艰难生存的年轻草根球队。贝克汉姆和他的团队将带着这些球员、他们的教练以及他们的社区，展开一段振奋人心、改变人生的旅程。

　　Inspired by W.G. Sebald’s book and based on WWII archive footage, the film puts forward the question: is it morally acceptable to use civilian population as a means of war? Is it possible to justify mass destruction for the sake of higher “moral” ideals? The question remains as relevant today, as it was 80 years ago, and its urgency is tragically manifested in the current events.

　　U.S. Marine Richard “Mac” McKinney had planned to return home to Muncie, Indiana as a hero – in an American flag-draped coffin. But that didn’t happen. Instead, after 25 years of service, he returns alive and filled with an all-consuming rage. Still fueled by his desire to die for his country, he plans to bomb the local mosque. But when he comes face to face with the community of Afghan refugees and others of Muslim faith that he seeks to kill, his plan takes an unexpected turn.

　　Every little detail is captured on the grain (and in 4K) in a film where the diverse wildlife around a single oak tree plays out like a daily drama of life and death. An audience favourite, and a huge nature experience.
　　An oak tree is not just a tree. It is an ecosystem in itself, and a home to many different life forms at once. Featuring squirrels, herons, ants, deer and badgers, the French audience favourite ‘Heart of Oak’ unfolds the wonderful natural kingdom where everything is interconnected, from the roots to the crown. Starring an ancient oak tree – and with a camera that captures even the smallest detail – a daily drama of life and death unfolds as animals struggle for food, shelter and survival through the seasons. Shot in 4K, ‘Heart of Oak’ is a serious contender for the great nature experience of the year at the cinema. And by the way, the nearest oak tree is within cycling distance if you want to go and see for yourself after the film.

　　长沙解放西，魔幻繁华的代名词。有人在这里谋生活、有人在这里释放压力，这里折叠了这个城市最多样的生活方式，这里重新定义了时间和空间的可能性。节目将聚焦六位工作生活在解放西的不同行业的人，通过真实记录他们的工作生活，讲述城市奋斗者们的多面人生，将被折叠的解放西摊开，让你深度感受它的魔幻精彩、包罗万象。

　　皮娜·鲍什是世界上最伟大的现代舞编舞者之一，在皮娜逝世十年后，她的两部经典舞蹈作品《在陶里斯的伊菲革涅亚》和《春之祭》分别交给两个舞团重新诠释：德国德累斯顿的森佩尔歌剧院芭蕾舞团和非洲塞内加尔萨布尔斯学院，由皮娜舞蹈团的前舞者指导。德国纪录片导演弗洛里安·海因曾·齐奥布在德国、塞内加尔，记录下了两支舞团的排演过程和最终成果。期间透过对舞者们的采访，侧面展现皮娜舞蹈对他们个人精神的改变。影片结合皮娜生前的历史影像，打通艺术与生活、历史与现在的壁垒，无形中将“做自己”的皮娜精神传递至银幕上下的所有人。

　　It follows the career of Atlanta rapper Lil Baby and his rise in rap and pop culture.

　　通过没有公开的过去未公开的影像和现在IU最真实的想法，以及最近看到IU的人的故事，与她二十多岁的年龄层之间的碎片见面。

　　节目记录了主人公们知晓世界百味、直面生活疾风暴雨的决定性阶段。主创团队精选四组对立的关键词展开横向比照，通过“圆”与“缺”、“纳”与“拒”、“是”与“非”、“破”与“立”主题下的八幅人生图景，用多维度多视角观察普通人在面临决定性瞬间时的选择与命运。通过洞察每个独一无二的“人生第二次”故事，展现中国人面对困境的勇气和坚韧，激发观众对生活的勇气，对于人生和未来的多一重思考。

Japan’s textbook examination system is meant to allow non-government entities to freely create textbooks in alignment with the country’s criteria, but there is actually a lack of freedom. Some invisible pressure is applied through the government’s authority, forcing textbook production to follow their wishes.In 1997, military comfort women were written about in all middle school history textbooks, but right-wing politicians heavily rallied against this. One long-established publisher was attacked, and it eventually went bankrupt for writing about the damages inflicted by the Japanese army in detail.As political pressure grows, there are even plans to rewrite the terminology of history based on the Japanese government’s point of view. Political interference in textbooks is growing. This film documents how the government’s destruction of textbooks, academics, and education has progressed, based on testimonies by politicians, textbook writers, teachers, and other involved parties.

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

　　一家即将倒闭的加密货币交易所的年轻创始人意外去世，愤怒的投资者们怀疑他的死亡并非看上去那样简单