国内首部聚焦人与猫故事的系列纪录片。网络时代,人与人之间的交流普遍数字化,个体生活逐渐演变为孤岛模式,很多人因此选择了猫作为自己的生活伴侣。猫成为了家庭的成员,陪伴并见证了人的生活,成了生活中重要的精神出口。猫与人之间建立起了亲密关系,因此产生了很多感人肺腑的故事。我们寻找独特但又具有普遍性的案例来记录,通过聚焦猫与人的连接来讲述人的境遇,从不同的人生切片里窥见人类共同的情感和需求,以安抚和治愈在时代巨变的动荡中不断磨合的人生。
An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis. Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
A man travels around the vast wilderness hunting various animals. He hunts everything from birds to bears. Once the animal is bagged he demonstrates how to process the game and cook it.
曾荣获第88届美国国家评论协会奖,并入围奥斯卡纪录片短名单、美国独立精神奖、哥谭独立电影奖等专业奖项足够说明这部《持摄像机的人》的超高口碑。基尔斯滕·约翰逊是著名摄影师,曾经参与迈克尔·摩尔的《华氏911》、劳拉·珀特阿斯的《第四公民》等名作。你会在片中看到布鲁克林拳击手的挣扎、阿尔及利亚接生护士在恶劣条件下工作、波斯尼亚阿拉伯农民返乡等等。影片中对于那些遭受过大屠杀、大灾难的地点进行再审视的画面,更是直逼内心。
作为SEVENTEEN在首尔世界杯体育场的首次演唱会而备受期待的
带领观众登上先进的科学研究船OceanXplorer,探索世界海洋最遥远的边界,其中80%的区域尚未被完全探索。该六集系列纪录片结合了高端的科学驱动内容和惊心动魄的镜头,展现了探索过程中的戏剧性和刺激感,是一次高风险的海洋发现冒险之旅。
Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences. Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.
This is a story about people in love with cinema, and a country going through its most difficult times. A group of friends, who met sometime ago in a movie theatre, get together to see one of them off to Belgrade. So their journey begins: from personal memories to the remembrance of their country, out of a small dark room to the mystery of Kiev's night. Their last stop - the farewell party where reality and cinema once again become a single whole.